A Quote by Pete Seeger

But I decline to say who has ever listened to them, who has written them, or other people who have sung them. — © Pete Seeger
But I decline to say who has ever listened to them, who has written them, or other people who have sung them.
I almost rely on other people to say, "Hey, you ever hear of this band?" And I'll say, "Oh, I've never heard of that!" And I listened to them and thought, "What the hell?"
And mostly all I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don't like them as much as I do.
I decline to discuss, under compulsion, where I have sung, and who has sung my songs, and who else has sung with me, and the people I have known.
Emotionally, a person can become so negatively driven that they don't respect the privilege of being on this Earth without their mother and their father. They may say it doesn't bother them, but there is something in us about those who are a biological part of us and don't care. People in that situation stop hearing the other voices that love them, hold them, trust them and tells them how great they are. They're focused on that one person who isn't answering them.
When you make and drape clothing, the scissors are your tool. What can I say about them? They're my babies. And you have to take care of them correctly. You have to have them sharpened, and you can't use them for any other material.
I've played an awful lot of people that other people would call villains, but that isn't a very helpful attitude to have if you're about to play them. They are just people, and they may do dreadful things and say dreadful things, but your job as an actor is to know why they do them or say them.
If you loved people, you might hurt them, dissapoint them, anger them, but you never, ever, dishonored them.
There can hardly be a stranger commodity in the world than books. Printed by people who don't understand them; sold by people who don't understand them; bound, criticized and read by people who don't understand them; and now even written by people who don't understand them.
I love the Beatles, but I don't listen to them at all regularly. Most of my friends are bigger Beatles fans than I am. I respect them, and I love them - 'Abbey Road' is probably one of my favorite albums, but I don't think I've ever listened to the 'White Album' the whole way through.
I've obviously used fans - I wouldn't say all my life, because we couldn't afford them when I was young, but from my 20s and onwards we've had to use fans. And I've always loathed them. Everything about them. The way you adjust them, getting them at the angle you want. Carrying them. Cleaning them. The danger of putting your finger in them.
I suggest to young professors that their first work should be written in a jargon only to be understood by the erudite few. With that behind them, they can ever after say what they have to say in a language 'understand of the people.'
You know when sometimes you meet someone so beautiful — and then you actually talk with them, and five minutes later they're as dull as a brick. But then there's other people, and you meet them and you think: "Not bad, they're okay," and then you get to know them, and their face sort of becomes them, like their personality's written all over it; and they just — and they turn into something so beautiful.
Have you ever heard somebody sing some lyrics that you've never sung before, and you realize you've never sung the right words in that song? You hear them and all of a sudden you say to yourself, 'Life in the Fast Lane?' That's what they're saying right there? You think, 'why have I been singing 'wipe in the vaseline?' how many people have heard me sing 'wipe in the vaseline?' I am an idiot.
Even convicts, with whom I have spent some time, are not won over in any other way. Whenever I happened to speak sharply to them, I spoiled everything; on the contrary, when I praised them for their resignation and sympathized with them in their sufferings; when I told them they were fortunate to have their purgatory in this world, when I kissed their chains, showed compassion for their distress, and expressed sorrow for their misfortune, it was then that they listened to me, gave glory to God, and opened themselves to salvation.
I'm process-orientated, and people say that about the details. But I love the players. My No. 1 job is to make them better men. My No. 2 job is to make them better at hockey, and I never confuse that. The best people I've ever been around in my life never let me get away with anything - ever. You can have all the details in the world, but if you can't communicate with people and find a way to help them help themselves, you have no chance in this league. To me, that's what the profession is about: getting guys to believe in themselves and each other.
Being a sculptor who uses found objects, all the objects I use in my work have been designed by other people. So I'm tweaking them in some way by squashing them or throwing them off cliffs! Then I formalise my damage by suspending them or arranging them in some kind of way. So I'm using other people's design in a way, so I'm an 'un-maker.'
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