A Quote by Pete Townshend

Many were starting to use computerized synthesizers & drum machines to produce an entirely new style of music. It was being punted by the critics that the guitar was old hat; I was reminded of the way my father & his clarinets were written off in the late Fifties.
We were touring the States tied to a load of drum machines and sequencers and synthesizers, playing to hundreds of thousands of people and yet feeling strangely removed from the music.
When I was a teenager, I got into four track recorders, drum machines, and synthesizers, and I started producing instrumental music.
Synthesizers were looked at as stealing the soul of music, but then there were these new bands who used it to contradict that idea.
'Swagger' would be the word for 'Dirt On My Boots.' With the real funky drum loop and the ganjo rolling down, and then the fiddles and the guitar and steel, it really took an old school style where it's fiddle, steel, guitar, and mixed it with a drum loop.
There were drinks and food in full force, and some Moroi guy had a guitar out and was trying to impress girls with his musical skills—which were nonexistent. In fact, his music was so awful that he might have discovered a new way to kill Strigoi.
Where Charlie Christian left off, Papoose started a new thing; he was an innovator of the guitar. The things he did during his recording career with Fats Domino in the Fifties and Sixties until the day he died was as much a part of the music of New Orleans as anybody else has had to offer.
All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.
I made an electronic record in the vein of Cluster. I was programming synthesizers and drum machines and that sort of thing.
My parents had a love for music. There were so many records, so much music constantly being played. My mother played piano, my father sang, and we were always surrounded in music.
We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.
Chairman Mao's greatest contribution was that he applied the principles of Marxism-Leninism to the concrete practice of the Chinese revolution, pointing the way to victory. It should be said that before the sixties or the late fifties many of his ideas brought us victories, and the fundamental principles he advanced were quite correct.
We're going through this super-uptight era, which I think comes entirely from literacy, actually. It's the result of machines that were designed as word processors being used for making music.
I had invented my own system, my own way of making electronic music at the San Francisco Tape Music Centre, and I was using what is now referred to as a classical electronic music studio, consisting of tube oscillators and patch bays. There were no mixers or synthesizers. So I managed to figure out how to make the oscillators sing. I used a tape delay system using two tape recorders and stringing the tape between the two tape machines and being able to configure the tracks coming back in different ways.
I`ve got a black woolen hat and it`s got Pervert written across the front of it. It`s the name of the clothing label. And I was with my wife and my baby at the supermarket and I didn`t think. I just put my hat on Clara`s head, because it was cold. And the looks. I couldn`t figure out why I was getting death looks. And then I realized my 10-month old baby`s wearing a hat with the word Pervert written on it and these people were like, `There`s Satan! There`s Satan out with his kid!` And then I made a point of her wearing it every time we went there.
When I was a little boy I used to borrow my father's hat, and make a press card to stick in the hat band. That was the way reporters were always portrayed in the movies.
People of my generation who became photographers in the late fifties, early sixties, there were no rewards in photography. There were no museum shows. Maybe MOMA would show something, or Chicago. There were no galleries. Nobody bought photographs.
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