A Quote by Pete Townshend

Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes. — © Pete Townshend
Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes.
Bob Dylan was really mad with my wife. I had asked by Rolling Stone - the only assignment I ever had for them - to do a story on the Rolling Thunder Review, which was Bob Dylan, Alan Ginsberg, Joan Baez and a host of stars. My wife, some weeks before, had written in The New York Times that The Kid wasn't The Kid anymore and he wasn't all that winning anymore.
In 1952, Muddy cut the song 'Rollin' Stone.' It was a nationwide success, and the song echoes down through rock n' roll history. Bob Dylan cut a tribute by the same name, an English band decided to call themselves the Rolling Stones, and the magazine that first embraced music as a serious cultural phenomenon was itself called 'Rolling Stone.'
"Like a Rolling Stone" [of Bob Dylan] is a kiss-off song like none before or since.
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after "Like A Rolling Stone".
The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the "Like A Rolling Stone" session I was invited by the producer to watch.
Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'
At the end of the playback of the take of "Like A Rolling Stone", or actually during the thing, Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy's not an organ player. And Dylan said, I don't care, turn the organ up, and that's really how I became an organ player.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
In Paris in 1964 was the first time I ever heard Dylan at all. Paul got the record (The Freewheelin' Bob Dylan) from a French DJ. For three weeks in Paris we didn't stop playing it. We all went potty about Dylan.
My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
I first met (Bob Dylan) in '65. We've had a friendship for a long time. He decided to play on a record I was making in New York. We were just friends playing together.
Bob Dylan is great. I've been compared to him a lot. I think when people see a person on stage with a guitar they just think, 'Bob Dylan!'
Bob Dylan is great. Ive been compared to him a lot. I think when people see a person on stage with a guitar they just think, Bob Dylan!
My dad influenced my musical taste. I grew up listening to Bob Dylan and The Rolling Stones and a bunch of rock music from the '60s. Now, instead of watching TV, I'll play a record from start to finish.
Bob Dylan is someone that - I don't care how long into the future it is - somebody will still play Bob Dylan. He will always survive.
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