A Quote by Pete Wentz

If anyone saw Fall Out Boy's first 400 shows, we were the worst band of all time. — © Pete Wentz
If anyone saw Fall Out Boy's first 400 shows, we were the worst band of all time.
Did you ever notice how many survivors they have? Did you ever notice that? Everybody - every time you turn around, 15,000 survivors meet here, 400 survivors convention there. I mean, did you ever notice? Nazis sure were inefficient, weren't they? Boy, boy, boy! ...You almost have no survivors that ever say they saw a gas chamber or saw the workings of a gas chamber...they'll say these preposterous stories that anybody can check out to be a lie, an absolute lie.
When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
Gym Class is a band I am more directly involved with than any other band except for Fall Out Boy.
When you're in a young band for the first time, geographically you're in the same place and you tend to go out and socialize. You play more shows, you spend more time together. You're a unit. As you grow older, inevitably you develop a life outside the band. I think it would be tragic if you didn't.
Those last days on the road were the worst. Nobody was talking to me or would hang out after shows or do anything. I was made an outcast of the band I'd helped start.
Fall Out Boy used to be my favorite rock band.
I've seen those kids at the shows, I can hear them, and I can certainly tell the difference between one of our fans and a Fall Out Boy fan who's just there because they heard we were hot.
First concert I saw was a British boy band called Take That when I was 14 or 15. I went with nine girls from school.
We became a really good gateway band for all the kids that went on to love My Chem or Fall Out Boy.
Because, first of all, we were becoming aware during that tour that there was a group of people that was following the band around, and they weren't interested in coming in to the shows, they were just interested in hangin' out outside and tryin' to break in.
Basically, every band that makes it has some dude with some sense of business. I don't know if our band would've been so successful were it not for Daniel's [Kessler] insight into how things really work. Daniel was the one who was diligently saying, "We should make a demo, send it out, play shows but not too many shows, get on shows with touring bands that are coming to New York."
I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
I was 17 years old and in my first band, and we played at the university. I was kind of a gawky, unpopular teenager and there was about 400 people smiling and dancing to what we were doing.
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
I think the whole thing, boy band, it's a little bit of a dirty word. They say it's not a good thing to be in a boy band. We want to change that. We want to make the boy band cool. It's not just about dancing and dressing the same.
The first time The Runaways played in Britain, Joan Jett wore my bullet belt onstage. The Runaways were really the first all-girl band to really strut their stuff and say, "F**k you." "Cherry Bomb" was the best song for a girl band to sing. It was just outrageous at the time. There were American families sitting on the sofa watching television going, "F**k me." It was great fun.
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