A Quote by Pete Yorn

I can't play any horns. Every time I tried to take saxophone lessons as a kid ... I can't whistle. I don't know if that has anything to do with. — © Pete Yorn
I can't play any horns. Every time I tried to take saxophone lessons as a kid ... I can't whistle. I don't know if that has anything to do with.
I never took any guitar lessons or anything; I never really learned to play covers. I'm actually happy that I never took lessons as a kid. Now, I'd like to take lessons to kind of go deeper. But I think sometimes lessons can steal a person's personality away, because they're trying to do things so technically.
I tried a little of everything when I was little. I tried karate, I tried ballet, I tried piano lessons and singing lessons... I was a pretty normal kid, for the most part.
Every album is unto itself, so whatever sounds we need to come up with, like way back when, we needed horns. So we invented the Lone Wolf Horns, and we learned how to play horns.
You can take lessons to become almost anything: flying lessons, piano lessons, skydiving lessons, acting lessons, race car driving lessons, singing lessons. But there's no class for comedy. You have to be born with it. God has to give you this gift.
Like it or not, I've come to appreciate soccer. Any kid can play, which fits with the inclusive agenda of progressive schools. Although the corollary to 'any kid can play' is that every kid must play because there is an iron grip to the warm hug of progressive inclusionism.
My mother also had us take piano lessons, and this had a similar effect. I hated those lessons, but I now play regularly for pleasure and have even tried my hand at composing.
I was taught to whistle as a little girl by an undertaker. I used to sit in his workshop, watching him planing wood for the coffins, and he used to whistle all the time - and eventually I started whistling, too. I can whistle anything, particularly trumpet tunes from Classic FM.
Ah, my dad's whistle. On holidays when I was a kid, we would all be off in the rock pools along the beach. When it came time to go, we'd hear the whistle and we'd all come running. Like dogs!
Throughout the evening I would be recording these long saxophone delays and about four hours into the concert, if I wanted to take a break I would just play back the saxophone.
I was [ on Thelonious Monk International Saxophone Competition] with Ralph Bowen, and Joel Frahm, Jimmy Greene, John Ellis. You can't play the saxophone better than any of those guys play. So many of those things that those guys could do I wish I could do now, let alone then.
[Larry Laurenzano] gave me a junior high school saxophone to take to high school, because I was always taking one of our school horns home to practice and I couldn't afford to buy one. He gave my friend, Tyrone, a tuba and he gave me a junior high saxophone for each of us to use at Performing Arts High School with. My audition piece was selections from Rocky. We were not sophisticated. But we had some spirit about it. We enjoyed it, and it was a way out.
Are we going to take the hands of the federal government completely off any effort to adjust the growing of national crops, and go right straight back to the old principle that every farmer is a lord of his own farm and can do anything he wants, raise anything, any old time, in any quantity, and sell any time he wants?
I took lessons since I was little; I used to pay for my own singing lessons and take myself. Just take the bus when I was a kid and go. But I'd been writing music for years, since the smallest age.
My first album didn't come out until I was 27, which in pop years is late, you know. But when it came time to arrange it, I became a kid in a toy shop. I had a harp and a saxophone quartet and a symphony orchestra. I went berserk for a time.
I ain't no saint, but I've tried never to do anything that would hurt my family or offend God...I figure all any kid needs is hope and the feeling he or she belongs. If I could do or say anything that would give some kid that feeling, I would believe I had contributed something to the world.
When you play a sax, that saxophone is irreverent. It's noisy; it's a trickster... you cannot hide the saxophone in your hands, so it's a good teacher.
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