A Quote by Peter A. Levine
I am often asked how I can work with a subject as morbid as trauma without becoming burned out or depressed. My answer to this question is that witnessing the transformation that takes place in people when they master their traumas has proven to be a deeply sustaining and uplifting experience in my life.
Related Quotes
With 'Scandal,' I was there from the beginning. I got to experience the transformation from its initial slow start to the water-cooler hit it became. I have thoroughly enjoyed the ride, and am deeply grateful for it. I can't believe how often people stop me on the street to talk about it.
I am often asked the question How can the masses permit themselves to be exploited by the few. The answer is By being persuaded to identify with them.
After I give lectures-on almost any subject-I am often asked, "Do you believe in UFOs?" I'm always struck by how the question is phrased, the suggestion that this is a matter of belief and not evidence. I'm almost never asked, "How good is the evidence that UFOs are alien spaceships?"
The question I am most often asked is how do I find my ideas? The answer is I don't. Ideas find me. A character in history will suddenly step right out of the past and demand a book. Generally, people don't bother to speak to me unless there's a good chance that I'll take them on.
I really do think how we frame things determines so much of our experience, and I've been talking to a lot of oncologists, like, why don't we call them transformation suites and give people transformation juice and have guides that support people when they're going through chemo so you could actually burn away what needs to be burned away, as opposed to this dread, terror, horror, which is a very different experience.
I do not understand how deeply people seem to like my work - but I love that people feel I have helped them through hardships, and also have shared my experience of living a more spiritual and present life. It's so great to be able to make people laugh, because this is so often how we get our selves back.
So many writers come to class with one question dominant in their mind, 'How do I make a living from this?' It's a fair enough question and one I always try to answer well- but it saddens me that it so often overshadows the more relevant questions of 'why am I writing' and 'what am I saying' and 'how do I keep it honest.
I am often asked if I am not lonely on my solitary excursions. It seems so self-evident that one cannot be lonesome where everything is wild and beautiful and busy and steeped with God that the question is hard to answer.
Well people often ask me how I felt growing up with a father who was a politician and who was often away. But when I'm asked that question I often reflect on my inability really to be able to answer it in any relative sense because I never grew up with a father doing anything else. So I just have no idea what it would be like otherwise.
The question I asked when I woke up was not how am I going to live without legs - but how am I going to do all the things I want to do without legs? There was no doubt that I was going to do them, I was just curious to find out how - but I knew I was going to find a way.
Intellectuals know how to answer the question, 'What God do I believe in?' not only through the question of 'What God do I abhor?' Intellectuals can also answer the question of 'What flag do I wave?' without having to answer the question of 'What flag do I burn.'
It's the most annoying question and they just can't help asking you. You'll be asked it at family gatherings, weddings, and on first dates. And you'll ask yourself far too often. It's the question that has no good answer. It's the question that when people stop asking it, you'll feel even worse. - WHY ARE YOU SINGLE?
The question I've asked more often during our marriage, if not out loud, if not to the person who could answer. I supposed these questions storm cloud over every marriage: What are you thinking how are you feeling? Who are you? What have we done to each other? What will we do?
The question of how much English should be used in international research universities is one with which I am extremely familiar. I would even say I am deeply puzzled by this trend. I am not certain what the correct answer should be.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
There are many people who reach their conclusions about life like schoolboys: they cheat their master by copying the answer out of a book without having worked the sum out for themselves.
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