A Quote by Peter Abrahams

You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness. — © Peter Abrahams
You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.
Just saying you are better than good won't make it so. But, when you understand what it takes to live the better than good life, and you apply yourself, your life will truly be better than good.
You can't be a good person when you're writing and a bad person to your husband or a bad friend. You can't be a jerk in order to be a good writer. You can't say, "I'm too busy writing to be political." You are one person. You are the same person in every aspect of your life, and you have to be a responsible person in every aspect of your life.
You can be good for the mere sake of goodness; you cannot be bad for the mere sake of badness. You can do a kind action when you are not feeling kind and when it gives you no pleasure, simply because kindness is right; but no one ever did a cruel action simply because cruelty is wrong - only because cruelty is pleasant or useful to him, In other words, badness cannot succeed even in being bad in the same way in which goodness is good. Goodness is, so to speak, itself: badness is only spoiled goodness. And there must be something good first before it can be spoiled.
I made a very good living as a bad writer. I wrote a lot of comedies, 'Diff'rent Strokes,' 'Facts of Life,' while all my friends were doing the good shows, like 'Cheers,' but I loved it because I got to be a working writer in Hollywood.
There's no reason for somebody who's good at writing rap to be good at freestyling. They're different parts of your brain. You can develop both skills. I'm a much better writer.
Badness cannot succeed even in being bad in the same way in which goodness is good. Goodness is, so to speak, itself: badness is only spoiled goodness. Evil is a parasite, not an original thing.
With most good scripts and good shows, they expect the actor to bring some of their ideas to the backstory of the character. It's always a good collaboration between the actor and the writer and the director to try stuff out during the process.
What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story.
Whenever an encounter between a writer of good will and a regular person of good will happens to touch on the subject of writing, each person discovers, dismayed, that good will is of no earthly use. The conversation cannot proceed.
I believe I'm a better writer now than I was when I started. I'm grateful that I had good guidance because you don't make it in this business without good editors and a lot of support from your publishers.
As a person, I'm a good person who shows up for my friends. I do my best to be good. As an artist, I have no idea.
I'm a good person but a shitty writer. You're a shitty person but a good writer. We'd make a good team.
You want to be a good person, don't you, Pat?' I nod. I cry. I do want to be a good person, I really do. 'I'm going to up your meds,' Dr. Patel tells me. 'You might feel a little sluggish, but it should help to curb your violent outbursts. You need to know it's your actions that will make you a good person, not desire.
The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.
If fortune makes a wicked man prosperous and a good man poor, there is no need to wonder. For the wicked regard wealth as everything, the good as nothing. And the good fortune of the bad cannot take away their badness, while virtue alone will be enough for the good.
The first is that good writing consists of mastering the fundamentals (vocabulary, grammar, the elements of style) and then filling the third level of your toolbox with the right instruments. The second is that while it is impossible to make a competent writer out of a bad writer, and while is equally impossible to make a great writer out of a good one, it is possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one
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