A Quote by Peter Ackroyd
Yes, I have inherited the past because I have acknowledged it at last? And, now that I have come to understand it, I no longer need to look back.
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I'm focussing on what I haven't attained, not what I have. A lot has come to me early. I don't want to get consumed with that. Winners live in the present tense. People who come up short are consumed with future or past. I want to be living in the now. My goal is to play one full game in the now, but I haven't even gotten past the first inning yet. I start thinking about where my mom is or if my dogs have been fed. The average human has 2,000 thoughts a day. The really accomplished have 1,500 because you can focus longer. I need to learn how to focus longer.
Yes, our enlightenment process is coming, but now it's about accepting our own imperfection as a human being, and through that we come back to a place of self-love and understand the journey more - that we have come here just to have a series of experiences to learn from and that we need not do it all perfectly.
Italy will start the future. Because in the last 20, 20 years, Italy discussed only about the past. "Oh, the past is wonderful in Italy." Look, look Palazzo Vecchio. The most beautiful place in the world, in my opinion, I think this is incredible place. But the past is not sufficient. Is not enough. We need the future. Because we are Italians. And Italy is not only a museum.
My son tells me, 'Do you realize you are the last one? The last person who was an eyewitness to the golden age?' Young people, even in Hollywood, ask me, 'Were you really married to Humphrey Bogart?' 'Well, yes, I think I was,' I reply. You realize yourself when you start reflecting - because I don't live in the past, although your past is so much a part of what you are - that you can't ignore it. But I don't look at scrapbooks. I could show you some, but I'd have to climb ladders, and I can't climb
Look. This is your world! You can't not look. There is no other world. This is your world; it is your feast. You inherited this; you inherited these eyeballs; you inherited this world of color. Look at the greatness of the whole thing. Look! Don't hesitate - look! Open your eyes. Don't blink, and look, look - look further.
At 86, I can easily look back to the last eight decades. Though memory often fails me now, so many images of the past are still clearly polished, and I can yet recall not just an abiding sense of place, but the keen smells, the sensory responses to the events of that past.
For inspiration you go to the archives, you go to things of the past, but you still need to be contemporary for today. You can never forget the time you're living in because the past is the past and it will never come back.
When we won the league at Tottenham, they came back 2-2 in the last-minute of the game, and they're celebrating - because they're happy to draw against us, obviously. And I remember saying to Mauricio Tarricco, do you realise we only need a point to be Champions? And they all [were really shocked]. So I said 'Yes. Now we're going to celebrate on your pitch. Bye bye!'
And yes, I know it's you; and that is what we will come to, sooner or later, when it's even darker than it is now, when the snow is colder, when it's darkest and coldest and candles are no longer any use to us and the visibility is zero: yes. It's still you. It's still you.
You have to understand, I can't do any jokes about Ross Perot, because the last thing I need right now is another credit check.
The war now is away back in the past, and you can tell what books cannot. When you talk, you come down to the practical realities just as they happened. You all know this is not soldiering here. There is many a boy here today who looks on war as all glory, but, boys, it is all hell. You can bear this warning voice to generations yet to come. I look upon war with horror, but if it has to come, I am there.
You know, I think I understand what you're like now. You're very beautiful and you think men are only interested in you because you're beautiful. But you want them to be interested in you because you're you. The problem is, aside from all that beauty, you're not very interesting. You're rude, you're hostile, you're sullen, you're withdrawn... oh, I know- you want someone to look past all that at the real person underneath. But the only reason anyone would bother to look past all that is because you're beautful. Ironic, isn't it? In an odd way you're your own problem.
I think we have some serious problems now, but, if you look back over the last thirty or forty years that my book deals with, I think we are in better shape now than we would have been if all of those cases had not come down.
If you look at coastlines, if you look at that them from far away, from an airplane, well, you don't see details, you see a certain complication. When you come closer, the complication becomes more local, but again continues. And come closer and closer and closer, the coastline becomes longer and longer and longer because it has more detail entering in.
Yes, the past is another country, but one that we can visit, and once there we can bring back the things we need.
If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature - the nearest thing to a sacramental human activity acknowledged by secular society - it is because one of the tasks art has assumed is making forays into and taking up positions on the frontiers of consciousness (often very dangerous to the artist as a person) and reporting back what's there.
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