A Quote by Peter Ackroyd
There are two types of people, you see. One type keep their heads straight, and look around as they walk. The others look up - at the tops of houses, at the eaves and the lintels and the roofs, which can tell you when they were built - and I've always done that.
Related Quotes
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
People create their own questions because they are afraid to look straight. All you have to do is look straight and see the road, and when you see it, don't sit looking at it - walk.
Basically, when you look at different types of cells, such as fibroblasts, which form connective tissue, or epithelial cells, from saliva, you see general correlations within a person. If telomeres are up for one cell type, they're up for others overall.
Layering is always a great way to look different and to keep your look younger. Basic tees, vest tops, jackets, leggings, shrugs, etc, can be mixed up to add spunk, variety and colour to your look. A good sense of mix 'n' match is required to make this look work.
Look at your life. Look at the ways in which you define who you are and what you’re capable of achieving. Look at your goals. Look at the pressures applied by the people around you and the culture in which you were raised. Look again. And again. Keep looking until you realize, within your own experience, that you’re so much more than who you believe you are. Keep looking until you discover the wondrous heart, the marvelous mind, that is the very basis of your being.
I walk up and down the rows. The heads look like rubber halloween masks. They also look like human heads, but my brain has no precedent for human heads on tables or in roasting pans or anywhere other than on top of a human bodies, and so I think it has chosen to interpret the sight in a more comforting manner. - Here we are at the rubber mask factory. Look at the nice men and woman working on the masks.
I like to keep people around me like the guys I have on the road with me, three of them were childhood friends of mine when I was growing up in Scotland. They don't look at me any different than when we were in primary school. So it's good to keep people like that around you. I think if you surround yourself with good honest people, they will tell you what to hear when you need to hear it.
There are only two types of girls: the type that you marry and the type that you play around with and then break up with. But you're somewhere in between.
When the people sat around on the porch and passed around the pictures of their thoughts for the others to look at and see, it was nice. The fact that the thought pictures were always crayon enlargements of life made it even nicer to listen to.
People b'lief the world is built so an tellin em it ain't so caves the roofs on their heads'n'maybe yours.
Yokohama does not improve on further acquaintance. It has a dead-alive look. It has irregularity without picturesqueness, and the grey sky, grey sea, grey houses, and grey roofs, look harmoniously dull.
I used to walk in the burnt up Harlem of the '80s, and I'd look at brownstones that were dilapidated or apartment buildings, thinking 'Whoever designed this and built this did not want it to look like this.' So, I used to visualize one day being able to contribute and build in Harlem.
I look for an interesting and often times, fresh character. Something different that what is done all the time or than I've done recently. I look at who is directing. Those two variables as well as a third, which is the content and the quality of the screenplay. I look at the arcs of the scenes and characters and relationships.
The photographers are always around. Wherever I go, they start clicking incessantly. I am always like, 'At least give me a heads-up, as, many times, I look so disheveled. What will people think?'
By the year 1670, wooden chimneys and log houses of the Plymouth and Bay colonies were replaced by more sightly houses of two stories, which were frequently built with the second story jutting out a foot or two over the first, and sometimes with the attic story still further extending over the second story.
When I look at relationships, my own and others, I see a wide range of reasons for people to be together and ways in which they are together. I see ways in which a relationship - which means something that exists between two or more people - for the most part reinforces people's separateness as individual entities.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist