A Quote by Peter Ackroyd
London has always provided the landscape for my imagination. It becomes a character - a living being - within each of my books.
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The landscape becomes human, becomes a thinking, living being within me. I become one with my picture...we merge in an iridescent chaos.
A human being - what is a human being? Everything and nothing. Through the power of thought it can mirror everything it experiences. Through memory and knowledge it becomes a microcosm, carrying the world within itself. A mirror of things, a mirror of facts. Each human being becomes a little universe within the universe!
There's always room. That's what the directors usually want. They want the performer to bring themselves and give what they have to give for the role. The smart ones allow that to happen because then it becomes even more organic within the performer's imagination. It becomes even more real. It's not always a given in other films, but when Gunn works, and we all work together in a collaborative way like that, it becomes a given that you bring it. It becomes a lot of fun.
Imagination must constantly run on a new track or it becomes lifeless. A living imagination is essential to prayer.
I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow, there's something special about living as an Englishwoman in Paris.
I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow there's something special about living as an Englishwoman in Paris.
The German landscape is something unique that we cannot disturb and have no right to destroy. The more densely populated our 'living space' becomes with settlements, the greater our hunger will grow for unspoilt nature. The ever increasing spiritual damage caused by life within the big city will make this hunger practically uncontrollable... when we build here on this the landscape of our homeland we must be clear that we will protect its beauty; and in places where this beauty has already disappeared, we will reconstruct it.
One's condition on marijuana is always existential. One can feel the importance of each moment and how it is changing one. One feels one's being, one becomes aware of the enormous apparatus of nothingness - the hum of a hi-fi set, the emptiness of a pointless interruption, one becomes aware of the war between each of us, how the nothingness in each of us seeks to attack the being of others, how our being in turn is attacked by the nothingness in others.
The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
Originally, each human being is a complete and perfect existence. At the same time, we are each living within the one great, large-scale perfection.
I think what's really the most ideal thing is for the player themselves, within their own imagination, to carve out what they view as being the essence of the character.
I like to think of my books and the movies of my books living in two separate universes. Each is very nice, but only one is correct - the book. But that doesn't mean you can't enjoy the other versions, and I always do.
A human being is not one thing among others; things determine each other, but man is ultimately self-determining. What he becomes - within the limits of endowment and environment- he has made out of himself. In the concentration camps, for example, in this living laboratory and on this testing ground, we watched and witnessed some of our comrades behave like swine while others behaved like saints. Man has both potentialities within himself; which one is actualized depends on decisions but not on conditions.
The majority of people are not awake; it is only here and there that we find one even partially awake. Practically all of us, as a result, are living lives that are unworthy almost the name of lives, compared to those we might be living, and that lie within our easy grasp. While it is true that each life is in and of Divine Being, hence always one with it, in order that this great fact bear fruit in individual lives, each one must be conscious of it; he or she must know it in thought, and then live continually in this consciousness.
If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.
I suppose my dream was always about existing outside of London. Obviously the film world 10 years ago, when I first kicked off, was a very different landscape. Meeting anyone for a job on the crew, and on the cast, always meant a trip to London for me. But it's changed quite dramatically. You can't completely exist outside of what's down there, but things have changed massively.
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