A Quote by Peter Arno

Well, back to the old drawing board. — © Peter Arno
Well, back to the old drawing board.
Well, back to the drawing board.
When I made the UFC, everyone said, 'You need to go overseas.' I thought I had to go as well, and I went to Tristar Gym, and I was there for one or two years. But changes were needed. I'd come off back-to-back losses - Court McGee and Stephen Thompson - and I needed to look at my roots and go back to the drawing board.
We're going to go back to the drawing board and see what we can correct. But at the end of the day, we fought Manny Pacquiao in a chess match, we did well and what doesn't kill us will make us stronger.
If you go by a school and the kids don't whistle, back to the drawing board.
I'm always in search for perfection. If it's not perfect, I'm back to the drawing board.
When the inventor of the drawing board messed things up, what did he go back to?
In my mind, the men and women of NASA are history's modern pioneers. They attempt the impossible, accept failure, and then back to the drawing board while the rest of us stand back and criticize.
For me, after every game you look yourself in the mirror and ask 'what can i do better, what can i do to help this team?' Then you go back to the drawing board and you go back and you work hard.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
Isn't the drawing board the place where all the best work happens? It's not a bad thing to go back there. It's the entire point.
I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.
It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one.
I'm a competitor. Any time you work hard and you envision something a certain way and it's not going as you planned and you see it, you know, you go back to the drawing board and you figure it out.
While he writes, I feel as if he is drawing me; or not drawing me, drawing on me - drawing on my skin - not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.
How dare you little jabroni come onto The Rock shows Smackdown and run your mouth about how your the game, well The Rock says, if you are the game then you quite frankly you need to go back to the drawing board cause your game absolutely sucks!
It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. All of a sudden, things change. It's amazing, in working with actors, how much I learn from them and how many new lines will come to mind because of their personality or their strengths.
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