A Quote by Peter Baynham

So many Christmas films either are twee, or try and go super edgy, then stick on something Christmassy at the end of the movie. — © Peter Baynham
So many Christmas films either are twee, or try and go super edgy, then stick on something Christmassy at the end of the movie.
At the heart of every really good Christmas movie is the threat, I suppose, to Christmas. Something is wrong with Christmas, in all of these movies. In 'The Polar Express,' there's a kid that doesn't really believe, and that's the threat to Christmas. In 'Santa Claus: The Movie,' jealousy and greed are threatening to overrun his Christmas.
I wouldn't recommend young kids see 'Speedway Junkie.' It's definitely an age-appropriate movie - dark and realistic and edgy. If young kids want to see me, go see the Christmas movie.
I always try to go in there and stick to my base, which is the defensive end, and then just let the offense come to me.
So far, yes, I have been doing only commercial films because those are the kind of films that came my way. Those are the kind of films that I liked, but definitely I'm open to doing other kinds of cinema as well, and if something comes along - if I like a character - then I would definitely do something off-beat or edgy.
One of the tricky things about sort of larger, comic-book action movies is that the scale is so big that they have to save the world at the end of every movie, and so at the end of each of the films, either Chicago or New York end up getting obliterated.
I don't know how to relax. I get so edgy and instantly I'm ready to go. I don't like to waste any time. I try to use up every minute until I get tired, and then go home, rest for an hour, and then go. But I don't ever actually relax.
In stand-up you can go either way. It's live. Somebody might say something in the crowd, you might respond to it. But in a movie you could be spontaneous too. But you pretty much have to stick to that story or that scene or that script, but in stand-up you can go wherever you want to. It's more freedom.
On Christmas, my family and I see a movie and go out for Chinese food. We don't celebrate Christmas in the traditional sense, in that we do not actually celebrate Christmas.
On Christmas, my family and I see a movie and go out for Chinese food. We dont celebrate Christmas in the traditional sense, in that we do not actually celebrate Christmas.
There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
Christmas shopping! I can do all my Christmas shopping here! I know March is a bit early, but why not be organized? And then when Christmas arrives I won't have to go near the horrible Christmas crowds.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I'm a director because I directed a movie. And if I have any advice for people, it's, 'Go write something; go direct it. If that's what you have a desire to do, go do it. If the movie stinks, just put it on the shelf and try to do it again.'
I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
I try to stick to a certain diet all the time, and then when I feel like a reward, I have it. I try to stick to no dairy, no sugar, no wheat.
I'm 42 and the age of a guy who has kids, so I guess I'm playing right where I'm supposed to be. I'm comfortable with that, but in the same breath I'd do something edgy. If someone came to me and offered me an edgy and funny story, then I'd do it.
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