A Quote by Peter Beard

I think the camera is a wonderful machine, don't you? And not to take photographs in this century is crazy. — © Peter Beard
I think the camera is a wonderful machine, don't you? And not to take photographs in this century is crazy.
Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
I don’t have a philosophy. I have a camera. I look into the camera and take pictures. My photographs are the tiniest part of what I see that could be photographed. They are fragments of endless possibilities.
A lot of photographers think that if they buy a better camera they'll be able to take better photographs. A better camera won't do a thing for you if you don't have anything in your head or in your heart.
Painting requires skill. Photography is created by the camera, and one cannot fully control what the camera sees. So people take many photographs because several must always be discarded.
The digital camera takes photographs in practically no light: it will dig out the least bit of light available. I was amazed to see the results of photographs that I wouldn't take ordinarily. That's the advantage of digital photography.
I remember the beginnings of the Kurzweil reading machine. I was one of the first to meet Ray Kurzweil and purchase the reading machine in Boston. To think that the machine was at least two and a half large suitcases at the time, and now you have a camera and it takes a picture and you have sound.
I suspect it is for one’s self-interest that one looks at one’s surroundings and one’s self. This search is personally born and is indeed my reason and motive for making photographs. The camera is not merely a reflecting pool and the photographs are not exactly the mirror, mirror on the wall that speaks with a twisted tongue. Witness is borne and puzzles come together at the photographic moment which is very simple and complete. The mind-finger presses the release on the silly machine and it stops time and holds what its jaws can encompass and what the light will stain.
I always take photographs when I attend a funeral. Most people there know who I am and expect me to be there with my camera.
There's something very satisfying about old cameras because they're ingenious. I mean when you take them apart and actually see, 'Oh, this is how we make photographs,' it's an ingenious thing, but it feels like it's in a way a layman can appreciate, whereas a digital camera, I don't even begin to know what goes into making a digital camera.
Photographs are perhaps the most mysterious of all the objects that make up, and thicken, the environment we recognize as modern. Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood.
My parents offered me my first camera for my birthday and I developed an exclusive passion for it over the years. Since I was not the most social kid on the block, the camera helped me to express myself, invent my own language - something like a secret garden. I decided early on I would not write in a diary but take silent photographs instead.
If I'm traveling, I'll take a film camera and a digital camera because sometimes there are moments where, if you've lost it, or if coming back and it accidentally goes through the X-ray machine and it gets overexposed, you might have had a really important moment to you and you would be really upset that you didn't have a back-up.
He who writes must master the rules of grammar. He who shoots photographs needs only to follow the instructions as given by the camera.... This leads to the paradox that the more people shoot photographs, the less they are capable of deciphering them.
Photographs also show the way that the camera sees. It's not just me or you or anybody else. The camera does something that is different from our own setting.
I think that people think I'm crazy, like really mentally crazy. People think I'm uncouth and trashy, but I'm not. I don't think that I'm any of the stuff people say that I am and I know that I'm not. This whole mentally crazy thing, if I was mentally crazy I wouldn't be allowed to have all these children and take care of all these children without it being an issue.
During my performances, I don't like folks to take pictures because I feel that we live in a very photographic time. Photography was invented over 100 years ago, and now it's at its peak because everyone has a camera. The fact that they are taking experiences and filtering them through a mechanical lens I find amazing, but also disheartening. Amazing when you have photographs that start revolutions. Disheartening when you have people making photographs but not living.
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