A Quote by Peter Benchley

I know now that the mythic monster I created was largely a fiction. — © Peter Benchley
I know now that the mythic monster I created was largely a fiction.
I figure if someone calls something a 'Draugr,' people can figure out that it's a monster or some sort of mythic creature, and if they want to know more, there's plenty of information out there about those mythic creatures.
What is it?' Stephanie whispered. 'That, my dear Valkyrie, is what we call a monster.' She looked at Skulduggery. 'You don't know what it is, do you?' 'I told you what it is, it's a horrible monster. Now shut up before it comes over here and eats us.
It is good fiction, so largely ignored now, that brings us so much closer to the real facts.
The premiere of Lynne Ramsay's film of 'We Need To Talk About Kevin' at the Cannes film festival provides an apt juncture at which to celebrate the miraculous power - not of film but of fiction. Lo, I have created a monster.
All fiction is largely autobiographical and much autobiography is, of course, fiction.
Being famous has changed a lot, because now there's so many outlets, between magazines, TV shows, and the Internet, for people to stalk and follow you. We created the monster.
If human emotions largely result from thinking, then one may appreciably control one's feelings by controlling one's thoughts - or by changing the internalized sentences, or self-talk, with which one largely created the feeling in the first place.
I think there's over-telling sometimes, in fiction. For instance, I'm a big fan of horror movies, but I could always lose the last third of them. There's the brilliant exciting scary thing that's going on, and then they have to show you the monster, and the monster turns out to be a giant spider from space and then you push it over and it's dead. It becomes mortal and it has human needs and it always sort of feels like a shame. Maybe because of all the cop shows and such, we're a generation that needs to have problems solved for us in fiction.
We made connections between the monsters created by war and the monsters he created, the typical outcast that Whale was attracted to, and the monster in himself, that's inside all of us.
Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.
I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge - what kind of monster would fascinate people?
As for ISIS, we know where they come from. We know who has used them in the past. We know their sectarianism leads to killings. Here the Turkish state, like its NATO bosses, has helped to create a monster that it now claims to oppose.
God endowed you with a glory when he created you, a glory so deep and mythic that all creation pales in comparison.
I've created such a monster.
I prefer the gradual path My feeling is that mythic forms reveal themselves gradually in the course of your life if you know what they are and how to pay attention to their emergence. My own initiation into the mythic depths of the unconscious has been through the mind, through the books that surround me in this library. I have recognized in my quest all the stages of the hero's journey. I had my calls to adventure, my guides, demons, and illuminations.
People look at me as if I were some sort of monster, but I can't think why. In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster. Actually, I'm a gentle fellow. Never harmed a fly. I love animals, and when I'm in the country I'm a keen bird-watcher.
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