A Quote by Peter Berg

I try to preload as little as I can. I like to come to the set with minimal preparation. — © Peter Berg
I try to preload as little as I can. I like to come to the set with minimal preparation.
I'll have spent most of the day before the match doing some preparation. That's a little bit like studying for your exams. You need to know the personalities involved, what the stories are surrounding the game and how they've come into this game. You do a lot of preparation. I like to go in knowing more than I need.
I believe you have to learn how to win. And that just doesn't come from going out on the basketball court and playing. That comes from hours and hours of preparation, preparation before that game, preparation for the other team you are playing, mental preparation.
I take a lot of satisfaction in trying to make my land as self-contained as possible, its own little mini environment. Minimal outputs; minimal inputs.
I was really into what is called "minimal synth" - music made strictly on analog synths, and also cold wave, basically a more synth-based version of European post-punk, at that point. So, I decided my own show Minimal Wave was a good way to combine the minimal electronics aspect with the "wave," where guitars come into play.
I try to be as good a director as I possibly can. I try to be prepared, and I hope everyone else is. The preparation, I suppose, means just about everything. Little things mean a lot.
It's like, what if you get a set of tires that aren't balanced right or a driveshaft that's vibrating. That could create a problem. You try to think of every possible scenario of what can make you uncomfortable and try to come up with a solution for it.
How I hurt my knee was doing something so minimal that it was a little worrisome. To try that motion and others again, after the injury and after surgery, made you worry a bit.
No matter what is going on in your life today, remember, it is only preparation. People come and go; situations rise and fall; it's all preparation for better things. You must stretch, reach, grow into your goodness. Without the preparation we receive through adversity, disappointment, confusion, or pain, we could not appreciate the goodness when it arrives.
It is amazing how little effort most people make to improve control of their attention. If reading a book seems too difficult, instead of sharpening concentration we tend to set it aside and instead turn on the television, which not only requires minimal attention, but in fact tends to diffuse what little it commands with choppy editing, commercial interruptions, and generally inane content.
I try to focus on the melodies and try to make everything else minimal. The melody and the lyrics are most important to me.
I like directors who come on the set and create something that's a little dangerous, difficult or unusual.
I kind of like to keep it very minimal. I get a lot of products sent to me, and I like to try them, but I end up just literally washing my face and putting on moisturizer and toner.
I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.
It is a grave matter to enter a war, without adequate military preparation; it may prove fatal to come into peace, without moral and religious preparation.
Antarctic symphony has a geometric relationship to the landscape. It's saying that this landscape and the minimal kind of, you know I'm talking like seeing ice, is visually kind of eerily minimal.
The thought of building a life around minimal morality or minimal significance—a life defined by the question, “What is permissible?”—felt almost disgusting to me. I didn’t want a minimal life. I didn’t want to live on the outskirts of reality. I wanted to understand the main thing about life and pursue it.
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