A Quote by Peter Block

How do you change the world? One room at a time. Which room? The one you're in. — © Peter Block
How do you change the world? One room at a time. Which room? The one you're in.
But I started it when I was going through a transitional time in my life. At the end of it, it really sort of symbolized it. I had made room to change, and room to grow. I recorded it in a little room.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
People believe that there's no room for change, there's no room to grow and if we're talking about this idea of God which is the infinite then there's no way that there's no room to grow because infinity is endless. So there must be more room to understand more and to evolve the way we think about this idea.
Also marvelous in a room is the light that comes through the windows of a room and that belongs to the room. The sun does not realize how beautiful it is until after a room is made. A man’s creation, the making of a room, is nothing short of a miracle. Just think, that a man can claim a slice of the sun.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
Within National Parks is room--glorious room--room in which to find ourselves, in which to think and hope, to dream and plan, to rest and resolve.
Being paid as a professional athlete didn't change how hard I was working because I'm always going to do that, whether it's the weight room or the film room.
We moved wordlessly from one room to another, from the room of the dead to the room where time lay in pages everywhere I looked.
I can't stand those people, speakers in a room, they say this all the time, "If I can just help one person in this room, I've done my job." You have an audience of 500 people and your standard of success is one person? That's terrible. If you help one person in the room, you're an abject failure. You have to change something.
That room was not available, and the only other room had been booked for a Jewish bar mitzvah. I called the father and told him I needed the room and I would pay him to move the bar mitzvah to an adjoining room which was smaller.
The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
One voice can change a room, and if one voice can change a room, then it can change a city, and if it can change a city, it can change a state, and if it change a state, it can change a nation, and if it can change a nation, it can change the world. Your voice can change the world.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
Time, which runs through the world like an endless tinsel thread, seemed to pass through the centre of this room and through the centre of these people and suddenly to pause and petrify, stiff, still and glittering... and the objects in the room drew a little closer together.
There's room for Spike Lee's movies; there's room for Tyler Perry's movies. There's room for classics with an all black cast. There's room for all of it as long as we don't try to make any one piece define us as a race.
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