A Quote by Peter Boyle

I like to work for a while, and then do nothing for some period. — © Peter Boyle
I like to work for a while, and then do nothing for some period.
Some of my work is very instinctive, some of my favourite things I've ever done are just two minute sketches, nothing is better when you get it like that so quick, then other work takes months.
I like the Zen artists: they'd do some work, and then they'd stop for a while.
The only thing that does change, to some degree, is [that] you have some life experiences, you suffer a certain amount and you incorporate that into your work. Not in the content of your work, but in the sensibility of your work. It's nothing that you try and do; it just happens. And if you're lucky, people buy tickets to see it, and if you're not lucky, [then] they don't like it. But that's all.
Every once in a while, we have some sort of movement in music that everyone suddenly wants to work in, like grunge or rap or disco or some other musical phase, and then suddenly, that'll be the thing to do.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
This one is from the immortals series i cant remember what book. Damen to Ever While we may judge things as good or bad, karma doesn't, ts a simple case of like gets like the ultimate balancing act, nothing more nothing less, and if your determined to fix every situation you deem as bad or difficult or some how unsavoury, then you rob the person of their own chance to fix it, learn from it or grow from it, some things no matter how painful happen for a reason.
Nothing burns like the cold. But only for a while. Then it gets inside you and starts to fill you up, and after a while you don't have the strength to fight it.
There's nothing like having some healthy competition. We really strive to think outside the box by taking the standard approach the then twisting it a little, all the while trying something new.
The work saved me. I clung to it like flotsam in a boiling sea. It was the only solitary sport that I ever played, or was any good at. It felt natural to sit at my computer and type and type some more. For entire minutes, while writing, I could forget the godawful thing that had happened. I could forget that nothing really mattered anymore. Perhaps, if I set my sights low, I could care again about some small thing. I would type a word. One word. Then another. I started to care about the words, then entire sentences.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
My typical Saturday night is a great solo dinner at one of my favorite restaurants. I like to talk to the restaurant staff while I eat, then come home, finish up some work until midnight, and then play the keyboard until I'm ready to sleep.
Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they're preserved for a while in the few hearts like mine that react to them. Trying to preserve a century by keeping its relics up to date is like keeping a dying man alive by stimulants.
I love acting. It's a lot of fun work, interesting work, and you get to work with some very interesting people. But I seemed to be OK walking away from it for a little while and then coming back to it.
I'd love to do some period pieces and some historic work; I just feel like no one's tapped into Latin history and Latin contributions to the making of America, and we've been there over 500 years.
Making a painting is like having sex for a month or something. Then I go through this period of elation at finishing the work. Then you drop off - you know, 'post-coital man is sad,' as the old saying goes.
I like to work and there's no movies for actors, period, especially black actors. When white actors are like, 'Man, there's no work out there,' then black actors are like, 'Are you kidding me?'
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