A Quote by Peter Capaldi
If you actually have to engage with somebody who's superior to you and actually battle with them, struggle with them, I think it's more interesting, and funnier for the audience.
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I think a lot of audience members don't realize the part that they play in live theatre. The audience actually has a mood. Sometimes they're tired and bored, and we have to wake them up and engage them.
Audience come with expectations, and our job is to engage them for two hours. We take efforts to make the story more interesting and also present it in such a way that it is liked by all the audience.
. . . I felt that making her one-dimensional would be an insult to the audience, and also not as interesting. All destructive people have an inner side to them, and the more three-dimentional your characters are on screen the more compassion you can open up in an audience . . .. To me, that involves the audience more, it stimulates them and asks more of them.
Some leaders are not intimidated by opposition; they actually thrive on it. It wakes them up. It energizes them. It calls them to battle. It causes them to mobilize their thoughts and energy.
Once Steve Fuller said that there is this idea that your responsibility as an intellectual is just to speak the truth as you see it. But actually, you should be more appreciative of what needs to be said. I don't think that's ever an excuse to say something you don't believe is true - but sometimes the emphasis has to be different. Well, if I'm talking to an audience of hardline atheists, I'll be trying to unsettle them a bit more, whereas, if I'm speaking to an audience of believers, I'll be giving them more of the pros of atheism. It's about having a sensitivity to context.
It's very interesting being an artist and a comedian, (because) you aim for jobs that will feed your ego, but when you get up to the precipice of them, you actually have to deliver. You actually have to understand that you're reaching a new level where there are way more eyes on you, way more expectations and way more pressure.
The more real it is, the funnier it is. The more awkward it is, the more people are stumbly, the funnier it is. I like a sharp joke, but it has to say something that someone would actually say.
When we ignore the prostituted child, we actually lend our hand to their abuse. When we ignore the widow and the orphan in their distress, we actually add to their pain. When we ignore the slave who remains captive, it's us who is entrapping them. When we forget the refugee, it's actually us who is displacing them. When we choose not to help the poor and the needy, we actually rob them. Perhaps the only fair thing to say is that when we forsake the lives of others, we actually forsake our own.
Classics are books which, the more we think we know them through hearsay, the more original, unexpected, and innovative we find them when we actually read them.
"Sometimes in churches somebody will discover a particular vein of spirituality and seek to recruit others into it, or assume a superior position because they have found certain techniques - but no one actually wants to become like them."
Sometimes in churches somebody will discover a particular vein of spirituality and seek to recruit others into it, or assume a superior position because they have found certain techniques - but no one actually wants to become like them.
A lot of stand-up comedians are actually very insecure, and they come on slightly battling the audience. They want to be the superior person in the room, sneering at the world. That can be very funny. But to me, what's more interesting is that the world is on my shoulders, and it's pushing me down.
The thing is that honestly we haven't had an audience. And we have a chance to have an audience now. Which is great because I think we've sort of evolved as a band to the point where I think we might actually be interesting to go see.
Some patients are still having insomnia, but it's seems worse to them than actually it is. So, if they say they're sleep deprived, they haven't slept at all in three days; if we actually take them into a lab, most of the time we actually do see they're sleeping on and off here and there.
I think my narrative is actually pretty interesting if I step back from it and don't engage too much in it, personally or emotionally.
I love when there's an obstacle to overcome, even for the audience to actually empathize with that character. I find that interesting, and then, how to work around that and make them relatable. That's something that you have to dig into the moments and into the performances and see how to play those situations that make them relatable.
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