A Quote by Peter Capaldi

We had our British background of traditional theatre behind us. — © Peter Capaldi
We had our British background of traditional theatre behind us.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
Even in terms of the technical stuff there's a very traditional British flavor that comes out. Our characters are influenced by our culture so there's definitely something unique about British wrestlers in the U.S.
Actually the royal family were very gracious and good to me. But I also found that the British establishment were never quite sure what to make of me. I was a Labour figure, but I'd come from a very middle-class background. In one sense I offended both traditional right and traditional left. But I thought that was no bad thing.
Theatre is relatively easy if you're British - you're living in the theatre capital of the world, London - there are so many places you can work, still. If I had begun to think of myself as a film actor, I think I would have got distracted.
But I had a very traditional background as well. My parents are neat people.
Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.
The past was worth remembering and knowing in its own right. It was not behind us, never truly behind us, but under us, holding us up, a foundation for all that was to come and everything that had ever been.
Let's turn British inventions into British industries, British factories and British jobs. Let them make pounds for us, not dollars marks or yen for others.
When we talk of leaving our childhood behind us, we might as well say that the river flowing onward to the sea had left the fountain behind.
I had no acting background in my family and no experience of theatre. I hadn't even been in a school play.
I came from this very traditional background and I benefited hugely from feminism. I felt privileged going to university and doing a PhD. Most people of my background don't get to do that.
We took the traditional lands and smashed the traditional way of life. We brought the diseases and the alcohol. We committed the murders. We took the children from their mothers. We practised discrimination and exclusion. It was our ignorance and our prejudice. And our failure to imagine that these things could be done to us.
I did theatre a lot when I was a kid. Then I went to acting school in New York. I did a lot of behind the scenes in college. I wanted to learn while I had the time. I studied theatre and film in different capacities.
Everyone the world over talks about British actors and British talent and I think that's because we were trained - until now - in theatre.
Everyone the world over talks about British actors and British talent and I think thats because we were trained - until now - in theatre.
Why did I want to become a director? I just had an early interest. My uncle was an actor in a local community theatre, and he ultimately persuaded me and a buddy of mine to come to that theatre, and we went to meet girls, and that turned into interested in kind of behind-the-scenes things, and from that point on, I was focused.
This site uses cookies to ensure you get the best experience. More info...
Got it!