A Quote by Peter Capaldi

I'm sure if Shakespeare were alive today, he'd be doing classic guitar solos on YouTube. — © Peter Capaldi
I'm sure if Shakespeare were alive today, he'd be doing classic guitar solos on YouTube.
If Shakespeare were alive today, he'd be doing sitcoms.
Every girl is a singer. I wanted to learn the solos and play lead guitar. I would meticulously teach myself solos so when dudes were like, 'Oh, you're a girl, you can't play guitar,' I could rip these insane Telecaster blues solos and tell them, 'Yeah, I can burn up a fret board.'
Guitar solos, to me, should be a really articulate way to make fun of guitar solos.
If Shakespeare were alive today, he might be writing on Twitter.
If Shakespeare and Michelangelo were alive today, and if they decided to collaborate on a comic, Shakespeare would write the script and Michelangelo would draw it. How could anybody say that this wouldn't be as worthwhile an artform as anything on earth?
Somehow I suspect that if Shakespeare were alive today, he might be a jazz fan himself.
Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.
In the '90s, guitar solos were dead.
If Shakespeare were alive today and writing comedy for the movies, he would be the head-liner for the Mack Sennett studios.
All the time I was playing the flute, the lines, the solos, the riffs, the construction, were based on my guitar skills. I did not play the flute to exploit its natural faculties, but I used it as a surrogate guitar.
When I started doing sessions, the guitar was in vogue. I was playing solos every day.
Most people can do what I do - they can do guitar solos - but they can't do a good, hard rhythm guitar and be dedicated to it.
Guitar solos bore the hell out of me. Only a few guitarists interest me, and it's not about the solos they play, it's about the grooves they create.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
That was very flattering, meeting Steve Vai and hearing his stuff, because he was kind of a fan, even though we kind of dumbed down what he was doing and what people were doing in the '80s. We weren't doing solos; we were doing sounds and all this creepy, trippy stuff.
I was learning guitar as the band was beginning, at least in terms of being a lead guitar player. I could write songs, but I couldn't really play solos.
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