A Quote by Peter Capaldi

I'm so lucky to have worked with Burt Lancaster, who I remember was one of the first people I'd heard swearing in a really interesting way. — © Peter Capaldi
I'm so lucky to have worked with Burt Lancaster, who I remember was one of the first people I'd heard swearing in a really interesting way.
I first felt successful when I was 13 and in a show called "Seesaw." I came offstage and heard the applause of the theater audience and felt a sense of accomplishment. Around that time, my role model for success was Burt Lancaster. He was one of the first actors in Hollywood to start his own production company, and I respected him because he created something he believed in.
When you get old the worst thing is you lose so many friends. Burt Lancaster, Frank Sinatra, John Wayne. People who I loved to work with.
Burt Lancaster was largely responsible for me becoming a director.
I remember where I was when I heard Yngwie Malmsteen for the first time. It was such an epiphany for me, and it really shaped the way I play today. I think I heard him in '83, if I'm not mistaken - I was 13 years old - and it really was amazing for me.
I was not into sci-fi, science fiction, at all. I was into some of the old pirate films with Burt Lancaster and stuff. I liked them.
I think that as actresses - and I've definitely gone through this in a really bizarre way, because I worked so much and was really lucky with the roles that I got when I was younger - I remember hearing the older actors saying, "It gets tough," and thinking, "Really? I can't imagine."
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
Burt Lancaster was a very powerful and intriguing person. That essence of what he was, is the very thing that you and I see on the screen when we watch him.
I very much admired Lancaster. George Clooney reminds me of him today. Not all the macho, swinging around that Burt used to do, but the courage. You know where you stand with men like that.
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of like, you know, Burt Lancaster would be good in this part, and so on. With 'L.A. Confidential,' it was like, 'Wouldn't it be cool if Dean Martin played the Kevin Spacey part?'
It's really quite an interesting dynamic. I wanted to play to the truth of who Manute was in the first film, while it's also a prequel and the originator [of the story]. It was an interesting dynamic to work with, definitely. I haven't seen the film yet, but the way it felt when I was doing it, it felt like it worked.
I've been lucky, because people have done such great versions of my songs, and I've worked with the best singers ever, and I'm lucky that way.
Actually, what will be shown from here to eternity will be Burt Lancaster and Deborah Kerr cavorting on the beach. From Here to Eternity must have seemed like a chore to its director, Fred Zinnemann.
Actually, what will be shown from here to eternity will be Burt Lancaster and Deborah Kerr cavorting on the beach. 'From Here to Eternity' must have seemed like a chore to its director, Fred Zinnemann.
My dad gave me the 'Introducing Dionne Warwick' album when I was, like, 14. It was the first time I'd heard Burt Bacharach's songwriting and her voice, and it rocked my world. She's such a great singer and communicator. It really helped me shape my own style.
I like what I do, and a lot of these projects have really interesting material and interesting people to work with. I feel lucky.
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