A Quote by Peter Capaldi
When I was a kid, I wrote to the BBC, and the producers sent me a huge package through the post with 'Doctor Who' scripts. I'd never even seen a script and couldn't believe that they actually wrote this stuff down. It sort of opened a door.
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Read this and thought of you: Through joy and through sorrow, I wrote. Through hunger and through thirst, I wrote. Through good report and through ill report, I wrote. Through sunshine and through moonshine, I wrote. What I wrote it is unnecessary to say. ~ Edgar Allen Poe
'Hedwig' was the first audition my agent ever sent me on. I still have the slip of paper where I wrote down the appointment. I wrote down, 'Headwitch and the Angry Itch. Yitzhak. Croatian ex-drag queen billed as the last Jewess of the Balkans Krystal Nacht.'
I wrote for magazines. I wrote adventure stuff, I wrote for the 'National Enquirer,' I wrote advertising copy for cemeteries.
'Homefront' was written by Sylvester Stallone. He actually wrote it for himself, which is, for me, an amazing privilege: To be handed a script by Sly that he wrote for himself, that he asked me to do.
Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
All of the drama with my family and me and my mom and the separation between us and all that crazy stuff - I actually wrote about that. I have a song called 'Dear Mom,' and it's about the trials and tribulations with my mom, so I wrote about that and just everything that I've been through.
The fellow who wrote the post about sharing a bear suit with a girl at a party saw my illustration and emailed me, which was kind of thrilling. He sent a photo taken on the night, and that was a dream-like experience... but even though I've seen the "real" bear suit, my image of it feels real to me, and his photo the interpretation.
I have to tell you that we never had any scripts. Jean-Luc never wrote a script in his life. He would write the dialogue that morning before shooting.
I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies - as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers.
What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.
When I was 20, I wrote a film on spec and sent it to the BBC. They wrote back, 'Usually, when we reject submissions, we like to offer some encouragement, but in your case, we don't see any point in you continuing.' I took it as encouragement anyway, thinking that only people who write terrible things are capable of writing great things.
My scripts, they're pretty serious. I basically just describe stuff. I don't put too many notes and letters to the editors. But when I wrote 'KGBLT,' in parentheses I wrote, 'Well this is the best thing I've ever written. It will all be downhill from here. I'm so sorry for the rest of my career.'
After 'Muriel's Wedding,' I first went to America, and I was sent all these scripts about fat girls overcoming hurdles. Something in me knew not to go down that road, even if it was a good script.
I was in 'The Voice of Finland' in 2012 and my girlfriend - fiancee now - watched the show, liked me a lot and sent me a fan message through Facebook. She wrote, 'I have never, ever sent a message like this to anybody, but I just had this intuition that I have to send this to you.'
The woman who wrote the movie [Ladies And Gentlemen, The Fabulous Stains], her name is Nancy Dowd. She's a wonderful writer. She wrote Coming Home. And when I read the script, at that time, I thought, "This movie is going to do for girls what Breaking Away did for boys." I thought it was going to be huge. It was a great script.
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