A Quote by Peter Capaldi

I've always been interested in the idea of people who fell through the cracks. — © Peter Capaldi
I've always been interested in the idea of people who fell through the cracks.
My concern for education in New Mexico has always been there. I'm one of those kids that struggled through school, and I feel like I fell through the cracks.
Men can get jobs from one country to another, they can get in. But the people who always fell through the cracks were women and children, especially when you are displaced. I've always said, 'I am the face of a refugee.'
I knew guys way more talented than me who fell through the cracks.
When I was in high school, I fell under the spell of that crazy idea that if you're interested in the arts, you can't be interested in science.
I've always been interested in space and the idea of exploration in that area since I was a child growing up through the '60s.
Young man," he said, "understand this: there are two Londons. There's London Above?that's where you lived?and then there's London Below?the Underside?inhabited by the people who fell through the cracks in the world. Now you're one of them. Good night.
My sister had health insurance; she should have been warned by her doctors that she was at risk. But she was a minority. The doctors took little interest in her as an individual, and she fell through the cracks. And died.
One thing you have to be very careful on when you work in health care is this: when you make a sweeping change, you can't wait to see what falls through the cracks. What could fall through the cracks is somebody's life. You need to move thoughtfully and carefully with a plan incrementally.
I've always known and been interested in people who are a little bit off the norm. I like to call attention to the idea that they are there, that they are real people, not invisible.
Every time something slips through the cracks, the cracks get bigger.
I've done some of my best work in films that fell right through the cracks, so I try to not make career moves but to build a body of work.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
I've always thought of wholeness and integration as necessary myths. We're gragmented beings who cement ourselves together, but there are always cracks. Living with the cracks is part of being, well, reasonably healthy.
I've always been more interested in the audience than I have in the plays. I like that idea of all those people sitting in the dark together. It's kind of fun.
It's no secret that my audience have always been interested in the fat loss side of what I do, but truth be told, I fell in love with training when I started weight lifting.
I'm interested in people's darker side, the ones that aren't easy and well balanced. The cracks.
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