A Quote by Peter Carey

Writers, at least writers of fiction, are always full of anxiety and worry. — © Peter Carey
Writers, at least writers of fiction, are always full of anxiety and worry.
I've always loved science fiction. I think the smartest writers are science fiction writers dealing with major things.
I guess when I was younger, I'd have assumed that in 2008 music would be full of great writers following in the tradition of the young great writers of the '60s and '70s, but it hasn't turned out that way, or at least there are no other writers around that I look at and think: 'Wow, I'm outclassed, I need to get out of this business.'
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
Because I work in television, I always knew that I loved working with writers. It's very collaborative. You're always in a room full of writers.
I love science fiction. I always have, ever since I was a kid. I love a lot of science fiction writers. William Gibson is one of my favorite writers.
We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.
Fiction needs writers and readers, and writers should cultivate both.
I give this book 5 Stars and highly recommend it to all fiction, nonfiction, and poetry writers, aspiring writers, bloggers or journalists.
I think the deepest thing is that many fiction writers tell stories but are not elegant writers. But, we're not writing journalism when we're making literature.
Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers.
The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.
On a court full of great writers, I shouldn't say full of - there have been some bad writers on the court over the years.
We writers – and especially writers for children, but all writers – have an obligation to our readers: it's the obligation to write true things, especially important when we are creating tales of people who do not exist in places that never were – to understand that truth is not in what happens but what it tells us about who we are. Fiction is the lie that tells the truth, after all.
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