A Quote by Peter Carey

I think there was, and there is, a real Commonwealth culture. It's different. America doesn't really feel to be a part of that. — © Peter Carey
I think there was, and there is, a real Commonwealth culture. It's different. America doesn't really feel to be a part of that.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
One other thing: at the meeting in Canada, [there was] the coup in Fiji. This comes to an important part of the Commonwealth: the role of the Queen [Elizabeth II]. I had absolutely just enormous respect for her as leader of the Commonwealth. You could talk to her about any of the fifty-one countries of the Commonwealth and you could have an intelligent conversation with her about the economics, the politics. She really immersed herself in the Commonwealth.
Puerto Rican culture is very different from Mexican culture. Part of the Mexican psychology is the idea of being an immigrant or being illegal or being confused with that. That doesn't happen with Puerto Ricans, because you're a commonwealth.
The Commonwealth Prize is about celebrating the Commonwealth and the special relationship we have with the ex-colonies - which is part guilt and part warmth - and the Booker Prize isn't an essential part of that, but it is part of that.
The reason I wouldn't dare to write a Western is simply because that seems to be so much a part of American culture. Maybe if I want to write a Western enough I should try to overcome that fear, but I'll certainly feel like I'm trespassing. I feel that that is so much a part of American foundation myth, it's part of the myth of America, the American vision of what America is, which people have glorified and then challenged and then vilified.
There is a certain amount of righteous indignation I hold for the American culture, because to get back to the real root of it, to get broader about it, my opinion that is my species - and my culture in America specifically - have let me down and betrayed me. I think this species had great, great promise, with this great upper brain that we have, and I think we squandered it on God and Mammon. And I think this culture of ours has such promise, with the promise of real, true freedom, and then everyone has been shackled by ownership and possessions and acquisition and status and power.
I think it's hard sometimes for people to grapple with the real-life consequences of political change. I think that, we as a culture, feel like politics is one sector of our lives that can feel apart from our personal lives and the cultural things we're interested in and the sports we watch. It feels like this separate, different thing.
I think there's the apparent lack of subtlety and sort of make-believe anti-sensibility connected with American art. I think this is a style, and it does relate to our culture, and I think it would be anachronistic maybe to pretend to be involved with subtle changes and modulations and things like that, because it's really not part of America.
Part of the fabric of America is that we have people from different countries who've come here and they are American, and yet they embrace their home ancestral culture. And this is their new home. And that's part of what makes this country unique in the history of human beings on this earth.
When you're working with an ensemble, I think you really need different energies because you don't have much time with each character to make them feel real. You want strong personalities that are very different.
I just see in pop culture, music, visual art, books, etc., a real hunger for the new and different, and I think that's amazing. Satisfying this hunger is part of the responsibility of a creative person.
World War II vets in general didn't talk about their experiences. They believed there was something better and that they were going to prove to America what they could be and show America what it could be by being the change that they wanted. Like that Ghandi phrase "be the change that you want to see" but I think that it was also just a different culture. People didn't want to complain, whereas today if you go to the Starbucks and they mess up your order you might tweet about it. You know it's a different kind of culture.
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
The Commonwealth Games is an event for everyone. I believe it continues because of the unity and appreciation in respect of diversity, different nationalities coming together to compete under one Commonwealth banner.
I think my Latino culture has equipped me with a different point of view than the rest of my counterparts, and seeing things from a different angle has helped me a lot. I feel very proud of my culture, of my Latino heritage.
I was fascinated by the culture clash between England and America in the 1950s. My first memories are of being a girl in those post-war years when things were really pretty grim. It wasn't like that in America, which was real boom time.
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