A Quote by Peter Corris

Falconer's grasp of period and places is almost flawless ... He's my kind of writer. — © Peter Corris
Falconer's grasp of period and places is almost flawless ... He's my kind of writer.
Although we represent this almost drag-like beauty at Huda Beauty, I'm not only this person who is made up and always likes to wear their hair flawless and their makeup flawless.
I don't have an agenda. I don't have things I want to get to or something. I have like a broad, slim grasp of certain periods and certain shows within that period, an awareness of them, but they demand re-listening. I have a flimsy grasp of all the eras and ideas within each period of what would be a good show to think of.
In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
Sometimes you write and you find yourself almost wondering how it will turn out. I don't think every writer sort of almost admits that at some stage his books can take on their own kind of life it selves and simply lead away into directions that they're not kind of prepared for.
It is almost always a greater pleasure to come across a semicolon than a period. The period tells you that that is that; if you didn't get all the meaning you wanted or expected, anyway you got all the writer intended to parcel out and now you have to move along. But with a semicolon there you get a pleasant little feeling of expectancy; there is more to come; read on; it will get clearer.
It's not big," Veck said, "but it's flawless. That was important to me. I wanted to give you something...flawless
When you are what we call a 'minority writer,' a writer of color, a writer of any kind of difference, there is some kind of presumption of autobiography in everything you produce. And I find that really maddening, and I resist that.
I'm very proud of my love for Whitney Houston. She really changed my life. She made my life a better life. She was so beautiful in her love for God, her love for her family and her love for music. She truly loved her music. She could do everything! She had flawless rhythm, flawless pitch, flawless feeling, and flawless beauty.
For me, the life of the angler is an almost flawless example of how not to have a good time.
The hardest period for a writer is the period in-between writing. That's when you can go crazy if you don't allow the creative juices to flow.
As a travel writer I've specialized in gritty, fearful destinations, the kind of places that make a reader's hair stick on end.
The falcon cannot hear the falconer
Becoming a writer can kind of spoil your reading because you kind of read on tracks. You're reading as someone who wants to enjoy the book but also, as a writer, noticing the techniques that the writer uses and especially the ones that make you want to turn the page to see what happened.
There were always men looking for jobs in America. There were always all these usable bodies. And I wanted to be a writer. Almost everybody was a writer. Not everybody thought they could be a dentist or an automobile mechanic but everybody knew they could be a writer. Of those fifty guys in the room, probably fifteen of them thought they were writers. Almost everybody used words and could write them down, i.e., almost everybody could be a writer. But most men, fortunately, aren't writers, or even cab drivers, and some men - many men - unfortunately aren't anything.
As I'm writing it, I'm kind of curious to see what's going to happen. It almost feels like I'm the writer and I'm the listener, too.
I'm not the kind of writer that can write eight hours a day... I'm the kind of writer that the more time I have, the less efficient I am.
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