A Quote by Peter Criss
Three times during the show the drums are lifted over the audience - I go up and out, right, left and back.
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I was living in different accommodation and it was never in a place where I could set up my drums and play, so my drums would end up back in their cases and then in the garage. In the end I got used to the drums being locked up, I went a good eight years without touching drums.
What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.
I sing my life. It's like I'm having group therapy 350 days a year, and the people who come to the show get that, and they're there for that - whether it's to be lifted up, or to be lifted out, or just entertained or inspired, or to feel not so alone.
Most of my career has been about standing on a stage performing music to an audience, and once the show is over, they go home and I go on to the next show.
How far would you go for someone you love ? I heard this story, about this woman, who actually lifted a car off of her baby. 'Course I would have said, Dude! Back up. But, wasn't my kid. When I was born, if I'd have known all the stuff my dad was going to do for me, I'd have crawled right back in.
Every lecture should state one main point and repeat it over and over, like a theme with variations. An audience is like a herd of cows, moving slowly in the direction they are being driven towards. If we make one point, we have a good chance that the audience will take the right direction; if we make several points, then the cows will scatter all over the field. The audience will lose interest and everyone will go back to the thoughts they interrupted in order to come to our lecture.
You land Saturday to get to the live event, I go right to the gym, work out, then we have to be at the venue at 5 P.M. for a 7:30 P.M. show. Then you drive to the next city which might be three or four hours away and you do it all over again.
Sticking to a routine helps you get in the zone for the match. I always put my left shinpad on before my right. When I go out onto the pitch, I take three hops on my left leg - but I don't know why I started. I must have seen Messi do it or something.
And, my brothers, it was real satisfaction to me to waltz-left two three, right two three-and carve left cheeky and right cheeky, so that like two curtains of blood seemed to pour out at the same time, one on either side of his fat filthy oily snout in the winter starlight.
I was so young when I started that I didn't really understand all of it. We'd show up and have the slurs being thrown out there, but my parents always dealt with that. They just told me to go out there, do my best, and try to win. Go out there and race well and they'll shut right up.
I had to come out to my mother three times over a twelve-year period, but I first came out to her when I was sixteen. It didn't go over so well, because I grew up in the Pentecostal Church. It was a very strict environment. She has since done a lot of work and has really blown my mind. She has learned about my life and has changed her mind.
He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
Everyone's gotta have a voice, to be able to speak out. Left supresses right, right supresses left, and what's left and what's right? You know? It's America. You gotta be able to speak out. That's why people came here from all over the world: to have a fair shake. Not more than somebody else - the same.
I was always stealing 40-gallon drums off the road at night, bringing them back to the workshop and cutting them up with a gas axe because I loved to weld. I would make creatures out of these old metal drums.
I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.
I did go to TNA when I left WWE briefly in 2005 for three years. When I went there, it was solely to prove to myself, even if it was on a smaller platform that I could carry main event matches, programmes, and promos and be the face of a show. I needed to do that. I needed to gain that confidence and go back and be able to do it.
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