A Quote by Peter Cundill

There is almost always a major blip for whatever reason and we have learnt to expect it and not to panic. — © Peter Cundill
There is almost always a major blip for whatever reason and we have learnt to expect it and not to panic.

Quote Author

I have always found it difficult to study. I have learnt almost entirely what I have learnt by trying it out on the dog.
If you look at the attached plot you will see that the land also shows the 1940s blip (as I'm sure you know). So, if we could reduce the ocean blip by, say, 0.15 degC, then this would be significant for the global mean—but we'd still have to explain the land blip.
When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
Panic is efficient. Panic is effective. Panic is the way I get things done! Panic attacks are my booster rockets!
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I'm even stunned at some of the majors you can get in college these days. Like you can major in the mating habits of the Australian rabbit bat, major in leisure studies... Okay, get a journalism major. Okay, education major, journalism major. Right. Philosophy major, right. Archeology major. I don't know, whatever it is. Major in ballroom dance, of course. It doesn't replace work. How about a major in film studies? How about a major in black studies? How about a major in women studies? How about a major in home ec? Oops, sorry! No such thing.
Cowardice, as distinguished from panic, is almost always simply a lack of ability to suspend the functioning of the imagination.
We always hear from newspapers that while people understand the environmental challenge, they are unwilling to stomach the solutions. The trouble is, we only ever hear about the solutions from the media, and for whatever reason, they are almost always caricatured beyond recognition. If there's no appetite for green, it's not surprising.
What I definitely learnt from Michael Jackson is that simple is almost always better. As a songwriter, as an artist period.
[I had a sense of interior panic].Always. I didn't really know what to call it for a long time, but I have a friend in Greece who used that word panic a lot, and I found myself resisting it, until I totally accepted that as a precise description of my interior condition. It was mostly panic from one moment to the next. And nothing much else was going on.
The reason for teaching history is not that it changes society, but that it changes pupils; it changes what they see in the world, and how they see it.... To say someone has learnt history is to say something very wide ranging about the way in which he or she is likely to make sense of the world. History offers a way of seeing almost any substantive issue in human affairs, subject to certain procedures and standards, whatever feelings one may have.
Every major power always seeks to justify its action on moral grounds. Such behaviour is almost as old as the hills. The west has been a particularly vigorous exponent of this credo; and there is no reason to believe that China, for example, will be any different. But behind the moral rhetoric invariably lies interest and ideology.
Panic! at the Disco, for me, has been an outlet to do whatever. I never felt like there were any rules. It was always carte blanche. I could do whatever I wanted. There were no rules set yet for the band. It just felt right.
I make a project and I panic. Which is good, it can be a method. First, panic. Second, conquer panic by working. Third, find ways to solve your doubts.
My father spoke with something very similar to a 1920s newscaster type of English, and I learnt that accent of power in post-colonial Zimbabwe. So I learnt that, and I learnt how to copy it, and I learnt how to shift in and out of it, but also talk like my mother's relatives in the village.
I have learnt to deal with the box office result. Whatever happened to any film, thankfully, people always appreciated my performance.
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