A Quote by Peter De Vries
All couples must bear the strain of getting acquainted, having been, up to then, merely intimate.
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There's a pretty significant list of couples who have split up after doing couples reality shows. And not necessarily the show being to blame, but it might have created strain in a relationship that wasn't solid.
The appeal of science fiction has always been its iconoclasm . . . But in order to be an iconoclast, an author must be more than merely aware of the idol he wishes to destroy. He must be intimate with it and understand it in all its aspects. This means that he must have devoted serious thought to it, and have beliefs of his own which will stand up in the place of the broken idol. In other words, any child can complain, but it takes an adult to clash with accepted beliefs . . . an adult with ideas.
Be much alone with God, and take time to get thoroughly acquainted. Converse over everything with Him. Unburden yourself wholly -every thought, feeling, wish, plan, doubt- to Him...He wants not merely to be on good terms with you, but to be intimate.
I have a single track mind. I work on an idea for a long time. It's like getting acquainted with a person, and I don't get acquainted easily.
Patience has the meaning of testing-a thing drawn out and tested, drawn out to the last strand in a strain without breaking, and ending in sheer joy. The strain on a violin string when stretched to the uttermost gives it its strength; and the stronger the strain, the finer is the sound of our life for God, and He never strains more than we are able to bear.
If you are not willing to take the shame on yourself, you then let it remain on Jesus Christ. You must bear the reproach of your sinful state of indifference, or the cause of our Master must bear it.
You have been oriented that you must pay a price in order to get somewhere, and in the process, you've come to believe that getting there must be really important, therefore, it must be your purpose. And we say, but if you're not getting to joy, then you've gotten nowhere. Joy is really where you're going.
We must ever bear in mind --that apart from the will there is nothing good or bad, and that we must not try to anticipate or to direct events, but merely to accept them with intelligence.
He must not merely cling to life, for then he will be a coward, and will not escape. He must not merely wait for death, for then he will be a suicide, and will not escape. He must seek his life in a spirit of furious indifference to it.
'Robin's Test' is more contemporary than what I normally do. It's about couples going on a camping holiday for a 50th birthday. Two couples go, and then this other couple were going to come, but they've broken up, and so the man from that couple turns up, but with a new girlfriend that nobody likes - and I'm playing that character.
What friends or kindred can be so close and intimate as the powers of our soul, which, whether we will or no, must ever bear us company?
Jane Fonda, who divided her life into three acts, decided after her sixtieth birthday that she was now facing the final act, and came to the following conclusion: "I thought to myself, well if that's the case and if what I'm scared of isn't death, but getting to the end with regrets, then I've got to figure out what would be the things that I would regret when I got to the last act if I hadn't done them or achieved them by then. And they were: having an intimate relationship and having made a difference."
My impression is that staying together as a couple does not correspond to the challenges themselves, but whether the very idea of breaking up is an option on the table. If it is, then some people take it. If it's not, then they will keep working at it. You must know people who were terribly suited who make it work. And there are couples who seem perfectly suited that break up. It's a mystery to everyone.
When the morning's freshness has been replaced by the weariness of midday, when the leg muscles give under the strain, the climb seems endless, and suddenly nothing will go quite as you wish it is then that you must not hesitate.
All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.
A soldier surrounded by enemies, if he is to cut his way out, needs to combine a strong desire for living with a strange carelessness about dying. He must not merely cling to life, for then he will be a coward, and will not escape. He must not merely wait for death, for then he will be a suicide, and will not escape. He must seek his life in a spirit of furious indifference to it; he must desire life like water and yet drink death like wine.
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