A Quote by Peter Diamandis
It used to be that, in astronomy, a small team of people could look at photos of a few thousand galaxies and classify and catalog them relatively easily. But now, with a new generation of robotic telescopes scanning the skies constantly and producing millions of images, that's become next to impossible.
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The private equity world is a relatively small one. There are currently probably a few thousand professional jobs worldwide. In private equity, that's probably about all there is. So in the scheme of things, the firms are all relatively small.
The phenomena of taking photos and sharing them isn't new, but with Instagram being mobile, both have become cheaper and faster, producing the instant gratification of knowing how our shots look in our palms.
In this way, Edwin Hubble worked out the distances to nine different galaxies. We now know that our galaxy is only one of some hundred thousand million that can be seen using modern telescopes, each galaxy itself containing some hundred thousand million stars.
We need to encourage members of this next generation to become all that they can become, not try to force them to become what we want them to become. . . . You and I can't even begin to dream the dreams this next generation is going to dream, or answer the questions that will be put to them.
A "showrunner" as a position is a relatively new thing. It used to be the executive producer. That's not true anymore. Now it's evolved into this model where people look to showrunners and say, that guy is that show. It's just become a lot more interesting to know the showrunner and to get a sense of that person.
There's a generation of people that do fetishize books and do fetishize catalogues and do look at them as something important. The same thing with magazine culture: because magazines don't make the amount of money that they used to, it's become important again to another generation of people to actually read them. And it's very, very pinpointed to the select people that actually fetishize and go in and look at them.
Chicago '68 was a relatively small demonstration for its time, but I've talked to millions of people who claim they were there because it felt like we were all there. Everyone from our generation was there and was at Woodstock.
I own a few thousand snapshots, which is small by the standards of most collectors I know. I generally only buy photos I think I may actually be able to use in a book one day. I need that focus when buying, because without it I'd just buy everything and my house would be overrun with bucket loads of snapshots; there are just too many beautiful images in the world, and I'd need to own them all.
For a long time, weve worked on detecting planets with whatever was at hand, making use of existing small telescopes or even amateur telescopes. Its time to move on to the next stage.
There will be, in the next generation or so, a pharmacological method of making people love their servitude, and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies, so that people will in fact have their liberties taken away from them, but will rather enjoy it.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
Spend two minutes a day scanning the world for three new things you're grateful for. And do that for 21 days, The reason why that's powerful is you're training your brain to scan the world in a new pattern, you're scanning for positives, instead of scanning for threats. It's the fastest way of teaching optimism.
Twenty to thirty years ago, who was making documentary films? Nobody. Well, relatively few people. It was an art form that had limited theatrical distribution, if any at all. Some television distribution, but relatively small audiences regardless. And in the intervening years it's become more and more popular with a lot of people.
The museums used to be exhibition halls for government propaganda, and now every city wants to build a museum. A few thousand are to be built in the next few years, all using taxpayer money. But there is no system, no research, no content, no good programs, no good managers.
The foyers now look ridiculously small to us because not all that many people used them.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.
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