A Quote by Peter Dinklage
Being on television, playing the same character for many years, for me, I think that would get a little tedious.
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Many people are laughing when they see me, but I'm playing Mrs.Baskets all pristine. I'm playing it not-Louie. I'm not being Louie. I'm just being the character that I think it should be. I had to make a decision as to whether I was going to change my voice or not, but we decided for me not to change my voice, and I think that was the best thing ever, because I think it would've made a big difference in the character. I don't think it would've been as good.
I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else. My parents also took me to ballet school, and there I think I was able to start communicating those feelings or emotions - I danced for so many years.
Because my faith is important to me and then they wrote it in that my character I would be playing would also be a Christian, many people would often assume now that I'm playing myself on television. And I'm not.
If you get on a TV show that's successful, odds are that you're playing the same character for as many years as the show is running, which can be its own blessing, but it can also be a curse because you're playing the same thing and that can be tiresome.
I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
I loved playing Walternate because he was completely the same character, version 1985, and then it developed in such a different way, physically and mentally. So, to be able to play that, in the same television series, as playing the other ones was a fantastic gift for me.
With all due respect to 'The Vampire Diaries,' doing the same thing, over and over again, for essentially five years straight, it really becomes laborious and tedious, and it becomes a job. You obviously find gratification in acting, but you're playing the same character. No matter how compelling it is, it starts feeling pretty monotonous.
With TV, you get on a show and you're there for 11 years playing the same character. I would pull my hair out. Yes, the money is good. But I'm really not in this business to chase dollars.
It's a luxurious complaint to have as an actor, but playing the same character for many years can become routine.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
I don't do many films at the same time, as I don't like to switch between characters. At a given point, I would like to get into the skin of whatever character I am playing.
I'll always miss Mad Men, of course, but it is interesting to finally answer different questions after nine years. Not that that's a criticism to anyone, but just simply as a character for nine years, you're going to get a lot of the same questions for many, many, many years. This is sort of refreshing.
I think it would've been a little easier if I grew up in America; they've got better conditions for basketball players. At the same time, many people have said to me that having to start playing so late helped me not pick up bad habits.
I'm not a studio rat. I do find sitting around playing the same song 12 times kind of tedious. I like to get in and get out.
If you're doing television, you get to be a character for a long time, and the cast around you becomes like family. You get attached to playing that one character, and it's hard leaving them behind.
What interests me when I'm writing is being able to crawl into a character's head and speak from his or her mouth. It's not pulling the strings on a marionette, it's not playing ventriloquist, and it's not mimicry. It's about inhabiting a character, and, at the same time, being totally unaware of what you've become.
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