A Quote by Peter Dinklage
I think actors get too comfortable. I like being uncomfortable as an actor because it keeps you alive. I don't know, I think it's important.
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I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
I don't know why I've always been uncomfortable being too feminine. If a dress has too many flowers on it, if I'm giggling too much, I'm like ugh, put some combat boots on. I love masculine women. I think it's because I'm like a fake lesbian, I don't know.
Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.
You have to feel comfortable being uncomfortable. I'm always comfortable being uncomfortable. And to be comfortable being uncomfortable, I have to hone my discipline, which to me is doing what I have to do, but also doing it like I love it.
Actors I admire? Ed Harris, or course, I think he's terrific; because I know he always had to fight being what he looked like a lot, but I think he's a terrific actor.
I think most of the actors that I know that I think are good are kind of funny people. There's just something about being alive to the truth of a moment that makes a good joke that also makes a good actor.
I think that I need to work on being comfortable at being normal, everyday-ish on camera. Unlike a lot of actors, I think that's the thing that I'm not so comfortable with.
I think people involved in politics make good actors. Acting and politics both involve fooling people. People like being fooled by actors. When you get right down to it, they probably like being fooled by politicians even more. A skillful actor will make you think, but a skillful politician will make you never have to think.
The reason I became 297 pounds is because that was comfortable. What was very uncomfortable was running. What was very uncomfortable was being on a diet. What was very uncomfortable was trying to face things that I didn't want to face. And I also realized, when I was really big, I had no growth. Why? Because I was living comfortable.
I really think insecurity is something that comes with being an actor - I don't know actors who aren't insecure. I do think I kind of lie to myself - there is a percentage of ego involved. And I don't say that's a bad thing - it's good to know that it's there whether we like it or not. But ego is like a lion that we have to keep under control.
I think people think I'm accessible. I'm never treated as a star, either by fans or other actors, and I like it like that. I don't get the star treatment. I think that means I'm a good actor. They acknowledge me as a human being, and to me, that's invalua.
I can say, 'I am terribly frightened and fear is terrible and awful and it makes me uncomfortable, so I won't do that because it makes me uncomfortable.' Or I could say, 'Get used to being uncomfortable. It is uncomfortable doing something that's risky. But so what? Do you want to stagnate and just be comfortable?'
I think all the actors I've worked with knew that I was an actor. Like, I get into the dirt with my actors and we figure out the rhythm of the scene and how it needs to sound and what the blocking is, the way you would with another actor.
Being an actor is fantastic because you get to live your dreams and all of that, but I always think it's slightly irritating when you hear from the outside world, and people are like, 'Yeah, well, if I was an actor, and all I had to do was look good, I could be that ripped, too.'
I've always been more comfortable making my decisions from the subconscious level, or more emotionally, because I find it is more truthful to me; Intellectually, I don't think like that because I get uncomfortable.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
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