A Quote by Peter Dinklage

I think if actors are successful at one thing, they paint themselves into a corner sometimes, and what's the fun in that? — © Peter Dinklage
I think if actors are successful at one thing, they paint themselves into a corner sometimes, and what's the fun in that?
I love to sing. I don't think it's strange for singers to act, or painters to sculpt. I don't want to ever feel like I'm cornered into one expression of creativity because I'm successful at making films or being an actor. I guess it's best to not paint yourself into that corner.
At a certain level, great actors who are successful actors don't have to worry about it. They can just go for it because they believe in themselves.
Honestly, I'm not interested in gossip. Thing is, I know a lot of successful actors, and in hoping to be successful myself, I would like to think others would respect my privacy.
We use improv in all kinds of fun ways. Sometimes it's to invent or discover new things, sometimes it's to weird out the other actors, and sometimes it's to create a sense of fun, to find new things inside the scripted lines.
There are lots of actors who insist on speaking the lines themselves, and you hear the same thing from directors and the audience, but I don't think it's worth getting het up about. I think it makes more sense to use someone who speaks that country's language: that's what voice actors are for.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
I got on Twitter because it was a way to express guitar and surfing, and who I was, but now - it's still fun, and I can do that - but I think it's more of a business. I thought it was a personal thing that actors could do themselves, but now it's become a tool that studios are trying to use to sell their movies.
For actors, being successful is generally getting a job. If you can work a lot, you're really successful. If you work a lot on projects that are interesting and intelligent and great fun to be part of, then you're hugely successful. And I feel hugely successful. I can't believe that I get to be involved with the projects and the people I work with.
I think that's what makes characters interesting - when you paint a person into a corner, and you see what they do to get out of that corner. It's what makes drama drama.
There comes a point when the paint doesn't feel like paint. I don't know why. Some mysterious thing happens. I think you have all experienced it... What counts is that the paint should really disappear, otherwise it's craft.
Sometimes people think success comes over night. There is no such thing, anyone you ever see that is successful has worked at it and if they do it well and calculate it just right they will make it look easy. Life is no fun if you don't get a few bumps and bruises along the way.
My painting teacher in high school used to say, 'I can't paint like I want to, but through practice I'll get better.' But I don't think that's true. I think sometimes you just can't paint.
The oceans of art are awash with people who can't paint. When those who can't paint notice those who can, they are sometimes not inclined to accept them as serious like themselves. It's an unfortunate quirk of human nature and ought not to be fretted over.
Sometimes I seem to be two people. One who does not paint and one who does. The one who does not paint assumes that the one who does can paint anything. The one who is the painter sometimes finds it difficult to live up to that faith.
I think good actors - good, collaborative actors who see themselves as leaders in a given production - can and should offer ideas that have nothing to do with wanting to direct themselves.
The paint for the grey paintings was mixed beforehand and then applied with different implements - sometimes a roller, sometimes a brush. It was only after painting them that I sometimes felt that the grey was not yet satisfactory and that another layer of paint was needed.
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