A Quote by Peter Doig
I think if I was Trinidadian, I would latch more on to the myths and romanticise the place more. I don't think it's my place to do that - they're not really mine. I'm an outsider.
Related Quotes
I don't think you can separate a place from its history. I think a place is much more than the bricks and mortar that go into its construction. I think it's more than the accidental topography of the ground it stands on.
I've gone from a place where I was told there was one way and only one way, to being more in a place where I don't think anyone has the right to say what they believe is more important or more significant.
In so many roles I've played the outsider. As an outsider, you have more energy to succeed simply because you are an outsider. There are scripts floating around but they're not coming my way and I think that I am getting a little bit too old to play Napoleon. But if I was ever offered the role I would grab it.
When you think back today to a time more than 70 years ago when Germany was a terrible place, a place people were afraid of, it is a wonderful development that we have gone from being a terrible place to a place that people dream of.
I think if we live with more compassion globally, I think we would be in a better place. We've had more then we have had as human beings technology wise.
There is a tendency to over-exaggerate and over-romanticise the place of a writer in a revolution. That bothers me. I think it's inappropriate.
Dublin's a great place. It really is. It's a great place. And Ireland, especially, is a great place. I've realized that growing up more. I'm loving my country more as I'm getting older.
I think its more interesting to play a place where no one really knows you, but I think touring is also great.
I think it's more interesting to play a place where no one really knows you, but I think touring is also great.
As an outsider, when you think of Indiana, you think about a place that not only has championships but a championship tradition.
I think my career would probably be in a better place had I been more aggressive. But I don't have it in me. I'm not a competitive person, and I'm also really private.
I don't think I would have made 'Blank Project; if I hadn't made 'Cherry Thing.' I think that was a real rebirth in a way, and a remembrance of how I like to make music best, the most. Like being in a more chaotic place, maybe. Like a place of making and being creative where the mistakes can be left in.
When we enter the landscape to learn something, we are obligated, I think, to pay attention rather than constantly to pose questions. To approach the land as we would a person, by opening an intelligent conversation. And to stay in one place, to make of that one, long observation a fully dilated experience. We will always be rewarded if we give the land credit for more than we imagine, and if we imagine it as being more complex even than language. In these ways we begin, I think, to find a home, to sense how to fit a place.
Many Lexington natives believe they live in a special place, one impossible to leave. I'm not so sure about that - or it's more accurate to say I think a more general truth exists beneath it: the place you first call home stays with you always, whether you remain or go.
I think I would be much more enthusiastic about a band that covered more than just one particular album of mine. I don't ever really intend to record or to do shows with a live band. I don't really have a problem with it, but it doesn't really affect me either way.
At the end of the day, despite all the other great things that literature does in society and in a person's life, I think that we read to escape. And I think that place, more than anything, provides that escape quickly, if an author is engaged with the place.
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