A Quote by Peter Eisenman

I am immersed in architecture all day, working in my office or teaching. — © Peter Eisenman
I am immersed in architecture all day, working in my office or teaching.
I was very immersed in the world. I'm very worldly. I love world. I was immersed in my career, in school, in teaching.
I vividly remember my first day on the White House staff. My office, of course, was in the Old Executive Office Building. I didn't rate one in the West Wing; but don't try to tell me or any of the rest of us working there that we weren't working in the White House.
I have a great team. A lot of my focus every day is with my television and film career, directing and producing, and I guess you can say that my moonlighting gig is Tropfest. Obviously, when I am not working I am in the Tropfest office full-time.
I am always very grateful that I do not have to rely for my meal on a nationalised dinner service working as well as the Post Office on strike day.
As a midwife, I am immersed in Oxytocin day and night.
I have an office in my house, with a comfy red print reading chair and a soft cream-colored desk. After I walk Winston the Wonder dog and have my breakfast, I head to my office. Every single day. Sometimes, when I'm working on revisions, I print off my manuscript and go to a coffee shop to work. But mostly you can find me in my office.
I don't think I am a star; I consider myself like any other girl who is of my age. Others may be working in office and doing different jobs. Similarly I don't think I am doing something different... I am also working.
I am not conscious of working especially hard, or of 'working' at all. Writing and teaching have always been, for me, so richly rewarding that I don't think of them as work in the usual sense of the word.
Teaching is the perpetual end and office of all things. Teaching, instruction is the main design that shines through the sky and earth.
Rather than asking architecture to be more interdisciplinary - a perennial issue within the discipline - I am suggesting that other disciplines might exploit the powers of architecture and urbanism. When addressing urgent situations, whether it's the depletion of the rainforest or abuse of labor, well-meaning people are working with tools, like standards, that seem like very blunt instruments. I am suggesting that spatial variables that are underexploited in governance might add to that repertoire.
I don't like having a teaching job - office hours and conferences and committees and bosses and all that - but I tend to enjoy teaching, and I design the course in such a way that there'll be pleasure in that.
When I am asked what I believe in, I say that I believe in architecture. Architecture is the mother of the arts. I like to believe that architecture connects the present with the past and the tangible with the intangible.
When I'm not working, I get very down, but when I am working, I get very immersed in it.
Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms.
If you see a child with autistic-like behaviors at age two and three, the worst thing you can do is just let them sit and watch TV all day. That's just the worst thing you can do. You need to have a teacher working with that child, working on teaching language, working on social interaction, working on getting them interested in different things, and keeping their brain connected to the world.
The Chinese government knows that what I am teaching is good and that I am teaching people to have high moral values.
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