A Quote by Peter Falk

In the beginning, when you're acting in amateur theater and off-Broadway, it was unheard of that anyone else would get your costume. And it was important to get a good costume. You put time into that.
I've never thought of acting as rocket science - you put on the costume, get your hair cut, and that's it, really.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
Halloween is all about being bold, daring, and creative! You get to be someone else for the night thanks to makeup and a costume. I pretty much do that on the daily, so I am not that big on Halloween, but I do appreciate a good costume and some incredible makeup.
The first time I ever dressed in drag was at a costume party during my childhood. I went as Wonder Woman and my mom even took me to get the costume.
My mum was a costume designer and costume supervisor in the theater and, especially, the ballet. But that was before I was born.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.
We have a costume closet at home. My family will put on a costume for any excuse.
The skeptics said you can't put on a costume in the middle of New York - which isn't true, because everyone's in a costume here.
I've turned up to costume parties in the wrong costume. I've made social faux pas a plenty. I've put one foot in front of the other and fallen over.
I'm a big comic book nerd so every time I'm in costume and see everyone in costume I'm just like "This is sick."
The secret to a great Halloween costume, and I can't stress this enough, is in my opinion is to extract sexuality out of your costume.
When you put your costume on and you get your hair and your makeup done [for a role] and you stare in the mirror you feel like a different person.
If you stood me in a costume next to a computer graphic of the same-looking character, I think there would be a difference. And many movie fans I've spoken to would rather see an actor in a costume than CG.
I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
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