A Quote by Peter Falk
What's the name of that famous museum in Paris? The Louvre? I went through that place in 20 minutes.
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The place has had a super-conflicted relationship to its mission. In 1956, it opened as the Museum of Contemporary Crafts. Then in 1986 it had a midlife crisis and changed its name to the American Craft Museum. Then in 2002 the name changed again, this time to the Museum of Arts and Design. Maybe in 2025 the place will be called the Designatorium. The big problem with a museum of craft and design is that all art has craft and design.
I sailed on the cold air currents above the rooftops of Paris. I could see the river, the Louvre Museum, the gardens and palaces. And a mouse-yum. Hang on, Carter, I thought. not hunting mice.
You should definitely visit the Louvre, a world-famous art museum where you can view, at close range, the backs of thousands of other tourists trying to see the Mona Lisa.
I was living in Paris, which is a very beautiful, very wonderful place, but a tight place as a city, a tight place culturally. Its people are very brilliant, thoughtful, the place functions, but it's a historical place in some ways, like a big museum.
I was lucky enough to get to perform on stage in front of 20 million people on TV, and 150 thousand in concerts. For 15 minutes I got to be a rock star, the 15 minutes is great! It turns into Spinal Tap after 20 minutes.
I grew up down in the hills of Virginia. I can be in Kentucky in 20 minutes, Tennessee in 20 minutes or in the state of West Virginia in 20 minutes. And it's down in the Appalachian Mountains, down there. And it's sort of a poorer country. Most of the livelihood is coal mining and logging, working in the woods and things like that. Most people has a hard life down that way.
I'd been going to the Louvre since 1951. I thought I knew Paris and the French, but I didn't really. You know how easy it is to make friends when you are traveling. People are curious about you, you are curious about them. But you never really make friends that way. After the Louvre, I discovered that I have friends now because I have enemies.
I'd love to open a private museum in Paris, London, or New York, but I don't have the money. If I were Bill Gates or Paul Allen, the first thing I would do is build a museum.
I always say you just need 20 minutes a day. That is it: 20 minutes to do really fast circuits, and you can bring some weights with you to work.
I write pretty fast, probably faster than most people. But I might think about something for six hours, then write it in 20 minutes. So did I write for six hours and 20 minutes, or just 20 minutes? I used to write absolutely every day, except for days when I had to travel or something.
I have no favorite museum, but it could be the National Gallery in London; it could be the Palais de Tokyo in Paris. Every city has a great museum.
Andy Warhol said that in the future everyone will be famous for 15 minutes. Facebook is exactly like that except you're not really famous and your 15 minutes goes on forever.
I came to Paris with four écus in my pocket, and I’d have fought with anybody who told me I was in no condition to buy the Louvre.
I gave it everything in the last 20 minutes. I knew that I still had the energy, that I was ahead of the mark. I felt euphoric — it was the last 20 minutes of my sporting career.
In America, there's this type of expectation of just-add-water celebrity, this type of, "Of course you found me; we're all going to be famous for 15 minutes," sort of Paris-Hilton-ization of society.
Italy will start the future. Because in the last 20, 20 years, Italy discussed only about the past. "Oh, the past is wonderful in Italy." Look, look Palazzo Vecchio. The most beautiful place in the world, in my opinion, I think this is incredible place. But the past is not sufficient. Is not enough. We need the future. Because we are Italians. And Italy is not only a museum.
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