A Quote by Peter Falk

Good actors are always looking for props. They're looking for behavior. It makes it a lot easier. You're not solely dependent of what's coming out of your mouth. You're also less self-conscious, less aware of the camera.
It is always easier to take the words of a Jesus, a Gandhi, a Marx, or a Confucius as constituting Holy Writ. This involves less reading, less study, less thought, less conflict, and less independent searching, but it also means less growth toward maturity.
We do a lot of looking: we look through lenses, telescopes, television tubes... Our looking is perfected every day, but we see less and less.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
I don't like the camera. I get very self-conscious with it and then spend way too much time not looking self-conscious instead of being free, as I do on stage, to do my work.
There's something a lot more self-conscious feeling when there's cameras coming in for close-ups. It makes you very aware.
This is the funny thing about Skype. No one is really looking into the camera. People always looking down because they're looking at the image. You wish the camera was there in the center.
I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room. I used to shoot in a way that drew more attention to the camera and I've tried, in each film, to draw less and less attention to the camera. I think when you pay attention to the shots, you're aware of the fact that there's a director.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
You don't step back and have less motivation when you get older, the opposite is true. You become more focused, more professional in terms of things like looking after your body and more determined because you can see all the younger players coming up, looking for your place.
In standup, you don't have anything near you except a microphone. There's something a lot more self-conscious feeling when there's cameras coming in for close-ups. It makes you very aware.
Unfortunately, there can be no doubt that man is, on the whole, less good than he imagines himself or wants to be. Everyone carries a shadow, and the less it is embodied in the individual's conscious life, the blacker and darker it is. If an inferiority is conscious, one always has a chance to correct it
There's a certain way people are used to seeing nude women, and that's in a submissive, coy pose, not looking at the camera. And in this poster, I'm looking dead into the camera with no expression on my face. I think it freaks a lot of people out.
So much of what deejays like myself do is, I'm very interested in - I'm constantly looking for new music, constantly digging, but then also I am thinking about how to present it in a way that kind of makes sense to people who are less - sort of less with their hands in it than I am.
I'm a movie nerd, and when I'm really looking forward to something coming out, the less I know, the better.
I think we can't be naive in dealing with the Russians or dealing with the Syrians. But at the same time, I think we could try to encourage - and I think this is what diplomacy should do - encourage the self-interests of all parties to believe that it is in their best interest to get evil actors or rogue actors such as Syria or Iran, if you try to have less belligerent and less bellicose behavior.
I did not write it [Coming of Age in Samoa] as a popular book, but only with the hope that it would be intelligible to those who might make the best use of its theme, that adolescence need not be the time of stress and strain which Western society made it; that growing up could be freer and easier and less complicated; and also that there were prices to pay for the very lack of complication I found in Samoa - less intensity, less individuality, less involvement with life.
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