A Quote by Peter Falk
I once did a film in Russia because I wanted to see what the hell was going on there.
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I'm American and I wanted my friend and people to see ' Red Army' . I didn't want it to be a film for Russia, although I did show it there and they absolutely loved it.
The West, both the elites (consciously) and ordinary people (sub-consciously), want Russia to go to hell; to disappear, drown, explode. It is because Russia is once again defending humanism all over the world.
I'm not going to Russia and tell them to go to hell and think - that's not the way things are done. You chip away at something and you hope that there will be dialogue and that the situation can get better. You don't just go in there with guns blazing and say well, to hell with you because they're going to say to hell with you and get out of the country.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
If you want to see where Trump is moving, look at what the United States neoliberals advised Russia to do after 1991, when they promised to create an ideal economy. Russia was under the impression that the neoliberal advisors were going to make Russia as rich as the United States. What they really did was create a kleptocracy that was virtually tax-free.
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
The nightmare of a film career, or at least the challenge of one, is that you're rarely going to get the opportunity to explore character because once people see you in one thing, you know, they want to see that again.
I wanted to go back on 'Dancing With the Stars,' I did it. One of my favorite shows is 'Hawaii Five-0.' I went on, guest starred. I wanted to be in a film, did 'Tasmanian Devils' in Vancouver. Wanted to host a show, boom, did it.
I do what I can, but I'll always give it a shot. You're not going to see me playing a Welsh character any time soon, not because I wouldn't love to. I went up to Wales once and read for a film with Rhys Ifans, and haven't been asked back since. We did have a nice time on the train on the way back.
I went to the top of the mountain in television and could do anything I wanted, but I wanted to do an independent film, which results in you paying your own way, fighting like hell to get distribution, and maybe 30 people will see it. That was a good idea.
I was so urban-centric once. I did not want to see a patch of grass. I did not want to look at a tree. I didn't want to be anywhere near a sparrow, or a squirrel, or a pigeon, because I just wanted to be consumed by the asphalt-jungle aspect of New York.
I didn't make a film because I wanted a starring role. I made a film because I wanted to tell a story and I wanted to prove that I could direct.
I had traveled to Russia and met with Snowden, which was a pretty involved meeting that required encrypted communication and the like. And it was fascinating because of who he is and what he's done. And more so because what's going on between our two countries, Russia and the U.S., and to meet Edward Snowden in Russia was unforgettable.
The dynamic range of the digital camera is pretty crappy compared to film, but now film is not great because the labs have closed. It's going to hurt a lot of the movies that we did in this gap because I think they are going to look very old very soon.
When President Clinton opened NATO's doors in 1994, some predicted a crisis with Russia. That did not occur, mainly because the Kremlin understood that NATO enlargement did not threaten Russia's interests.
I think it was going to be hard to work with Russians on Syria. There is some potential overlap between the U.S. and Russia in that the Russians don't want to see the Syria situation unravel to a point where they have to escalate their own involvement. But at the moment, I don't see the U.S. and Russia on the same page in Syria. Russia seems much more interested in consolidating government control over liberated areas. It seems to me that the U.S. and Russia are proving they can disagree for independent reasons in any number of theaters.
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