A Quote by Peter Frampton

If there's ever a live record that deserved to be mixed in surround sound, it's 'Frampton Comes Alive.' — © Peter Frampton
If there's ever a live record that deserved to be mixed in surround sound, it's 'Frampton Comes Alive.'
I didn't have huge expectations for 'Frampton Comes Alive!' My previous album, 'Frampton,' had sold about 300,000 copies - a decent amount but not mind-blowing. There was talk at the label that maybe the live record could go gold. I was hoping we could do it, but I wasn't sure.
I'll always be remembered for 'Frampton Comes Alive!,' but I've got so much other work that I've done since that, that I feel it's almost like after 'Frampton Comes Alive!' ran its course, my career - I'll say it - 'Petered' out.
Hey, I've done a lot of other things, but I'm also very aware that when I kick the bucket, the first paragraph will be, 'The man responsible for 'Frampton Comes Alive!' just dropped dead. Frampton Drops Dead! after coming alive all these years.'
A year before 'Frampton Comes Alive!' we had released the studio version of 'Show Me The Way' as a single - it was on the 'Frampton' album - and it totally tanked. Nothing.
The first record we made, we recorded and mixed in a day. The second record was recorded and mixed in a week. The third was recorded and mixed in a month, and 'New Wave' was mixed and recorded in six months. It was an epic project.
This was the rule that I had when we made 'Frampton Comes Alive!': being known as a live performer, I'm not going to go into the studio and overdub.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
I am very honored and excited to have 'Devotion' released as the first DVD Audio disc... surround sound is amazing... The music comes alive and is so vibrant - it's unlike anything you've ever heard before!
'Frampton Comes Alive!' is the album I'll always be remembered for. I'm very proud of the music that's on it. Why it exploded the way it did and continues to live on are things that can't fully be explained.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
You can't listen to 'Frampton Comes Alive!' without smiling.
When Sinatra was alive and singing, he was constantly changing orchestrators from one album to the next because he said he didn't want every record to sound like every other record.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
I live in a flat with 3 women, I call it surround sound. I keep the ugly one behind the sofa as a woofer.
The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.
A record can make an artist sound in tune or make the music sound pretty. But the real test is performing live, and I think we pass fairly well, because people keep asking to see us play.
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