A Quote by Peter Frampton

I'd often use a Leslie cabinet on its own in the studio because everyone in the late Sixties and Seventies was experimenting with them. We'd stick anything through a Leslie because it made everything sound so good.
Holly Holm was a boxer for a long time, and Leslie Smith comes from muay thai. It's different. Holly is more defensive, while Leslie comes forward.
Leslie?" Irial whispered. "What are you doing?" "Choosing." Tears were soaking the blanket under Leslie's face. "I'm mine. Not anyone else's." "I'm still yours, though. That won't ever change, Shadow Girl." And then he was gone, and her emotions crashed over her.
We had three small bedrooms. There were five boys in the back, top and tail, the girls in the front. Me and Leslie, the two youngest, were in with our parents. I was very happy but when they all got married and moved out Leslie and I thought we were kings.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easygoing sound and strangle the life out of it.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easy-going sound and strangle the life out of it.
In the Led Zeppelin shows of the Sixties and Seventies, it was the same numbers every night, but they were constantly in a state of flux. If I played something good, really substantial, I'd stick it in again.
I love the Nineties because more than any other period of time, there was such an eclectic mix of styles going on. More so than in the Sixties and Seventies, when there was an overriding look and sound.
I kind of feel stuck in the late-Sixties and early-Seventies.
My mala beads are very precious to me. A yoga teacher and friend named Leslie made them for me with love and intention. They are very grounding, and I love them.
My own interest in Yoga came from a vague understanding of Indian thought and Indian philosophy in the late sixties and early seventies and from looking at the idea of meditation and at what meditation was.
I always get pissed that I can't make my voice sound like someone from the 50s who had a very girly, innocent voice, like Leslie Gore.
A lot of times people get to a certain age and they quit. I always felt sorry for the Frank Capras, the Billy Wilders, directors like that, because they quit in their sixties. Why would you quit? Think of the great work they could've done in their sixties, seventies, and on up.
I hate the sound of my own voice. It's just up there, sort of naked and exposed. Live is hard, because on my records, I play almost everything on a lot of stuff. In a live situation, I can't control everything. I use two different microphones. One is just clean, traditional sound, and the other one is basically a cheap cassette-recorder microphone that goes through a distortion box to emulate my voice on the record. That helps some.
I've been combing through the Wolverine archives and advertisements from the sixties and seventies. I'm looking to take inspiration from designs of the past and bring them into the future.
Don may yawn at the idea, which he often does, but the great thing about Don, he has confidence in me and Mike and Ed and Leslie and Steve, that we're not going go out and do stories that will put people to sleep.
There's something nice about being part of a trailblazing group. It's hard to look at myself that way because I look at Lisa Leslie and Sheryl Swoops and Rebecca Lobo and Dawn Staley in that way.
This site uses cookies to ensure you get the best experience. More info...
Got it!