A Quote by Peter Frampton
This was the rule that I had when we made 'Frampton Comes Alive!': being known as a live performer, I'm not going to go into the studio and overdub.
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A year before 'Frampton Comes Alive!' we had released the studio version of 'Show Me The Way' as a single - it was on the 'Frampton' album - and it totally tanked. Nothing.
I didn't have huge expectations for 'Frampton Comes Alive!' My previous album, 'Frampton,' had sold about 300,000 copies - a decent amount but not mind-blowing. There was talk at the label that maybe the live record could go gold. I was hoping we could do it, but I wasn't sure.
I'll always be remembered for 'Frampton Comes Alive!,' but I've got so much other work that I've done since that, that I feel it's almost like after 'Frampton Comes Alive!' ran its course, my career - I'll say it - 'Petered' out.
Hey, I've done a lot of other things, but I'm also very aware that when I kick the bucket, the first paragraph will be, 'The man responsible for 'Frampton Comes Alive!' just dropped dead. Frampton Drops Dead! after coming alive all these years.'
I never planned on being a live performer. My whole forte was about being in the studio, producing, playing the piano on recording sessions. I was all about the studio.
The number of times that anything is overdubbed on 'Frampton Comes Alive!'... the rule was, if it didn't make it to the tape, then we can redo it because it needs to be done. If it made it to the tape, and it sounds good, we leave it. So nothing was overdubbed on that album at all that wasn't absolutely necessary.
If there's ever a live record that deserved to be mixed in surround sound, it's 'Frampton Comes Alive.'
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
'Frampton Comes Alive!' is the album I'll always be remembered for. I'm very proud of the music that's on it. Why it exploded the way it did and continues to live on are things that can't fully be explained.
You can't listen to 'Frampton Comes Alive!' without smiling.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
I go from being not known to being so known in the tennis world, in Canada in general. It's going to be a little bit of a change to me. I'm going to have to adapt. But that doesn't change things. I still have to work really hard every day.
I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live.
When you go into the studio, you have to know what you're going in there for. I went into the studio because I had a voice and I wanted to change things, and I don't necessarily mean my bank account. The money is almost a B factor, a side product.
I think people can just make things now. It's kind of what happened with the music industry. Before, a band couldn't afford to go into a nice studio, or if they were going to go into a nice studio, they had to record twenty-five songs in two days. That's not a healthy workflow for anyone.
Is there any real purpose in being alive if all we are going to do is get up every day and live only for ourselves? Live your life to help others. Give & live selflessly.
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