A Quote by Peter Gabriel
When we started OD2 in 1999, we were really expecting to work more with independents and so on because the major labels were spending millions on their own Pressplay and equivalents online, which haven't been very successful.
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I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
Marriage has failed because you could not rise to the standard that you were expecting of marriage, of the concept of marriage. You were brutal, you were, you were full of jealousies, you were full of lust; you had never known really what love is. In the name of love, you tried everything which is just the opposite of love: possessiveness, domination, power.
That's what we were exploring on 'Larry Sanders' - the human qualities that have brought us to where we are now in the world: the addiction to needing more and wanting more and talking more. We were examining the labels put on success - is it successful to be on TV every day, to be famous, to have a paycheck?
It is possible to argue that the really influential book is not that which converts ten millions of casual readers, but rather that which converts the very few who, at any given moment, succeed in seizing power. Marx and Sorel have been influential in the modern world, not so much because they were best-sellers (Sorel in particular was not at all a widely read author), but because among their few readers were two men, called respectively Lenin and Mussolini.
When I first started, in 2006, it was an exciting time. Independent, cool, weird artists were being successful, and magazines were writing about them, and people were getting played on radio that were, like, really good.
Independence doesn't - doesn't equate to moderates. Millions of independents are pro-life. Millions of independents believe marriage is between a man and a woman.
Feelings about money -- saving and spending, holding back and letting go -- start very early in our lives. Stingy people have often been forced to give when they were very, very young, when they weren't ready. And generous people have often been really appreciated when they were very young.
There was a commonality in a lot of the private school experiences that I had of children whose lives were not their own. They thought they were their own, but they were essentially gifted this life by their parents. So they were spending money; they were going on trips - I guess, in a way, it is their life, but they didn't earn it.
I had a strong interest in free online education, and I was interested in what videos and formats would work for it. A lot of education workers were very sceptical about what computer scientists were doing. It was only after the first visible success of MOOCs that they started to take it seriously.
If you've been in a film that's seen by millions and millions and millions of people, you're more likely to be recognized for that than for your theater performances, which were seen by considerably less people. Why would I get upset by that?
Obviously, I wasn't expecting Wall Street to be a laid-back place. I was prepared for hard work. Sadly, much of the work the new guys were asked to do and the insane hours we were expected to keep had little to do with making the bank more productive. It felt more like hazing.
The Moody Blues were a blues band, so when we got discovered, we were taken to London. That's where we started to make it. That's where the record labels were. That's where the action was.
We were selling out venues, not just in London but also major cities in France and Germany before labels had even noticed what we were doing.
These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.
I did seven indies because the independent market used to be a lot better before all the stars were doing independents. As a beginning actor, that's where you started.
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