A Quote by Peter Gabriel
Yeah, in the digital world, it is so much easier to put stuff out without a great deal of paraphernalia and fanfare.
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Love with its paraphernalia of sexuality, jealousy, nostalgia and exaltation was easier to reognize than friendship, which seemed to have (excepting athletic equipment) no paraphernalia at all.
With The Pogues, at least the first three albums I'll stand by completely, yeah? Because I was in artistic control then, yeah? And the last couple of albums I'll stand by anything that's got my name on it, yeah? But I'll stand by anything that is on The Popes' albums, you know? I wouldn't put stuff out that I didn't like. I don't put out bad music. And I can tell the difference. I know that.
The first series of 'Open All Hours' came and went without much fanfare because the BBC, in its almighty wisdom, put it out on BBC2, reasoning that it was 'a gentle comedy', better suited to the calms of the second channel than to the noisier, choppier waters of the first.
A soulmate is someone who you could spend a great deal of time with just sitting on a sofa and feel happy. You don't need fanfare. You don't need to go out to expensive restaurants.
The working-class folks and the poor, and those normal people living their lives out in the world without the glitter and the fanfare. There is a lot to learn from them.
In every part of the world with which I am familiar, young people are completely immersed in the digital world - so much so, that it is inconceivable to them that they can, for long, be separated from their devices. Indeed, many of us who are not young, who are 'digital immigrants' rather than 'digital natives,' are also wedded to, if not dependent on, our digital devices.
Remind me again what's wrong with Dave Matthews?" "Basically everything, except technical proficiency," Walter said. "Right." "But maybe especially the banality of the lyrics. 'Gotta be free, so free, yeah, yeah, yeah. Can't live without my freedom, yeah yeah.' That's pretty much every song.
It goes without saying that there's a great deal of evil in the world, and there's a great deal of benevolence or good in the world. I think the choices that people make and the paths that people take in terms of how they explore their lives ultimately is what dictates which side of the coin you fall on.
I have endured a great deal of ridicule without much malice; and have received a great deal of kindness, not quite free from ridicule. I am used to it.
That's the great thing about being an actor: Stuff shows up that you never thought was going to go down. You get to play or experience an area of the world that - you know, I live a pretty simple life, I'm not much of an adventurer. I like my couch and my television. So when stuff comes up in the job, it's a good deal.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world.
Yeah, but look, who really provided the world's information to everybody on Earth? That was Wikipedia, right? And if you're asking what could we do to make the digital world work for people, the Wikipedia model is great. It's a donation model.
A director really doesn't deal with performance that much, especially if you deal with great actors. Their work is the performance. What you're helping them with is all the stuff they cannot be in control of.
There is so much misinformation out there. If you give people even a little bit, it gets blown out of proportion then you have to go put out fires. So it's much easier to say, 'No comment.'
Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems. It's just too complicated - negatives, tinting, flashing - it's a whole new system that takes a lot of time. Of course, it's not as physical. Even the editing. You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
You can get a much better fee - I tell you as auditors quite frankly - it's much easier to get a great deal of money out of somebody who's on a down spiral into becoming MEST than it is to get money out of somebody who is going on an up spiral toward becoming theta.
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