A Quote by Peter Gabriel
I think the rhythm is like the spine of the piece. If you change that, then the body that forms around it is changed as well.
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As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
There is a curious thing that happens with the passage of time: a calcification of character... Change isn't always for the worst; the shell that forms around a piece of sand looks to some people like an irritation, and to others, like a pearl.
Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms. Well then, think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely.
Shooting movies has changed, and me too - I have changed. And then, every film I do, something in my mind, my soul, changes. My natural change, I change at the same time as the films, I think.
The art of healing, the art of ecstasy, the art of God-consciousness has millions of names in mystic terms. It has to do with rhythm and reality. When the body is in rhythm, there is ease. When the body, or any part of the body goes out of rhythm, there is dis-ease.
I had a very linear story line for this particular play, and I wanted to open the piece up a bit, so I started doing that with my writing. I would describe fragments of scenes on index cards, then move the card around to see how it changed the piece.
I think that the rhythm sections, drummers in particular, are the unsuing heroes of the music. It's the rhythm section that has changed the styles from one period to the other.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
Action choreographer is like talking. When you talk, you have a rhythm. When you act, you have a rhythm. When you're moving your body, you have a rhythm. So as an actor, as a choreographer, the objective is trying to blend everything in - into - ultimately back into that character.
I'm not trying to recruit anyone. I think minds can be changed, but I also think they don't have to be changed. If someone doesn't want to smoke pot and doesn't think it should be legal, then that's fine, but the numbers that do are going to continue to grow to the point where change will eventually occur.
No, I'm so well-known at home I think they think of me like a piece of comfortable furniture that's always been around that they're not going to throw out.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
What has changed is that my life then was less difficult and my future seemingly less gloomy, but as far as my inner self, my way of looking at things and of thinking is concerned, that has not changed. But if there has indeed been a change, then it is that I think, believe and love more seriously now what I thought, believed and loved even then.
I think some people really change when they become a dad. Like, I've changed in different ways. I - but, like, my comedy hasn't changed. And I've also seen people do that where you become this - you become a dad, and then all of a sudden, you're trying to be a role model.
I think the question is, how do we live with change? Change in our friends, change in our lovers? Change in me and change in my body, from the stroke. Things have changed this plane of consciousness. We've tried to keep things the same. It causes suffering. This suffering is another step in your spiritual life, in your spiritual journey.
i like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more. i like your body. i like what it does, i like its hows. i like to feel the spine of your body and its bones, and the trembling -firm-smooth ness and which i will again and again and again kiss, i like kissing this and that of you, i like, slowly stroking the, shocking fuzz of your electric fur, and what-is-it comes over parting flesh ... And eyes big love-crumbs, and possibly i like the thrill of under me you so quite new.
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