A Quote by Peter Green
The blues - it's kind of like a religion, really.
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There was a time when I had the blues - I mean I really had it bad. I couldn't pay my light bill and I couldn't pay my rent and I really had the blues. But today I can pay my rent and I can pay the light bill and I still got the blues. So I must been born with 'em... That's my religion - the blues is my religion.
I love songs, and I love songwriting, and there's a standard of songwriting within Chicago blues in particular. I don't like the sad blues, necessarily; the Chicago blues is what I like, which is the kind of blues you can dance to.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
In the same way I wanted to learn how to play poker, I've always kind of been into the blues. It just seems like a cool thing, but I didn't know much about it. So I thought, 'Hey, let's really learn about the blues.'
Do I love the road? Honestly? No - but it's how I earn my living. I also don't have the blues, like it's some kind of fever. The blues is my job. It's what I do.
I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.
I still think the best metal bands have a blues feel. The first Black Sabbath album is kind of a bludgeoning of blues. Deep Purple also started out as a blues band.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
Eric Clapton was such a great player. He sounds like he's Freddie King or someone like that. He plays the roots of blues and Delta blues. He really affected me with the way that he plays, because he never really plays that many notes.
It's an often-asked question, 'Why did all these spotty white English boys suddenly start playing blues in the '60s?' It was recognized as this kind of vibrant music and when I first started playing in a blues band I just wanted to bring it to a wider public who hadn't really heard it.
Rip Rig + Panic that I joined, they were really influenced by jazz and blues and punk. So I think what happened from punk, which was kind of DIY, was that it created a kind of creative place that was kind of without limits, in a way.
The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
See, I have a different type of music from other peoples. They playing the other kind of blues, and I'm playing cotton-patch blues.... Ain't nobody now can play the blues that I play.
I'm an old soul. The blues, especially older blues, is the human element that kind of gives the music soul, and I think that maybe not enough people connect to the blues. It's a very powerful place to be; and if you can express that to an audience, I think that you can express a lot through that.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
You could play the blues like it was a lonesome thing - it was a feeling. The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
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