A Quote by Peter Hambleton
When two kids came along, I couldnt see how I could support them. The way it played out, I was away from the theatre for five years. I was a postie for the first part and then worked as an advertising copywriter, but I somehow found my way back.
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With the way I worked, a client can give me everything they know about something, and then I go away and come back with advertising that knocks them out of their chair. They finally understand what kind of a company they are.
I spent two years in the military service, then I trudged around in repertory for quite a while. I somehow wound up at the National Theatre, though, and then I was definitely on my way.
For a long while, I found Parker impossible. He went away for 23 years. I tried to bring him back a few times, and I sort of figured out where he came from, why he went away, and why he came back. The thing that I have to tap into for Parker is in some way the outsider. If I can tap into the outsider, I can write about Parker, and if I can't, I can't.
I played, but I never got a chance to see how the business worked. How the NBA offices and other teams worked. I learned that when I was an assistant General Manager for five years.
I started off in journalism 16 years ago in Stockholm, and I wrote for a few different publications for many years. I've also worked in advertising as a copywriter and creative director, but I changed it for architecture at 25 years old.
I gave up accounting. I went in for about six months writing ad copy. I was fired from that, and then another guy and I did a kind of poor man's Bob and Ray kind of syndicated radio show. Then I decided to stick it out and see what happened. I'd give it a year, a year became two years, and then two years became three years, and then along came the record album.
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
When kids want a picture or autograph, you reflect later on and realize you did something good. Then you see them come back five years later, they're all grown up, have their own lives and they tell you how much you inspired them. You're like, 'Whoa.'
The first time you went to the gym, to be trained and worked out, there'd be about four or five wrestlers, they'd take you to heavy calisthenics and then they beat the tar out of you... after you got tired. If you came back the next day they'd do the same thing. After about four days of you surviving this punishment, then maybe they might show you how to wrestle. That was to teach respect.
The shifts happen on a regular basis, but it's like a cycle. So things come in and out of vogue and then five years later they're back in vogue. Or there seems to be a theory that this is the way the industry will go and everybody goes over that way and then something happens to the country and you're back again at the place you were.
You have to really respect what your kids are doing with their kids and how they're raising them. You can't push your way into areas where you shouldn't be saying anything. You have to always remember they're not your own kids. Play with them, love them, spoil them to death - then hand them back.
There are two ways to go when you hit that crossroads in your life: There is the bad way, when you sort of give up, and then there is the really hard way, when you fight back. I went the hard way and came out of it okay. Now, I'm sitting here and doing great.
I came from nothing out in the woods near Tallahassee, Florida. My mom was a single mom raising five of us. It wasn't easy but she found a way to raise us to adulthood. We made it somehow.
When we gaze at a star in the Milky Way which is 50,000 light-years away from our sun, we are looking back 50,000 years in time." "The idea is much too big for my little head." "The only way we can look out into space, then, is to look back in time. We can never know what the universe is like now. We only know what it was like then. When we look up at a star that is thousands of light-years away, we are really traveling thousands of years back in the history of space.
So many of my friends, old friends I haven't seen in years, made their way out there and got lost, then found their way back. That seems believable to me.
When After Forever stopped, I didn't want to first find a band, then see if I could write with them, figure that whole thing out, then record an album. Instead, I worked with people I knew would be good songwriters out of an idea how I thought it would sound like.
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