A Quote by Peter Hammill

To be honest, I don't know really what I do on stage. — © Peter Hammill
To be honest, I don't know really what I do on stage.
When you go on a stage, before you go on a stage you're really scared and you're really frightened. You don't know what to do. "Why did I say yes to this?" But once you're on the stage you think, "Okay."
I'm a stage actor. You know, I was - I cut my teeth on stage, you know. So I've always had a love affair with the stage, first off, what I was raised in, you know.
New Yorkers - the people are so honest. If you're sucking on stage, they'll let you know.
Stage is all real; it's just as honest except it's bigger. I love stage, I love TV and film, so I think I'll just keep exploring and try to keep a really full picture.
Once you do a piece on the stage, you become that poem or you become that piece. That's really who you are. I think that's why some artists have stage names, you know? I don't have a stage name, it's pretty much just me.
Johnny Miller is a very honest guy. That may have been to his detriment sometimes. On television, he's too honest. We talk about it a lot. Do you really need to be that honest? You know what I mean? But he's a good man. He's a good family man. He's got good values, and we're delighted to have him as our honoree.
I think, ultimately you know in your heart how much work you've done. You know what you're doing, if you're being honest on stage or not. That's all you being you. But when you acknowledges it - especially with a Tony Award nomination - you just can't help with the guilty pleasure!
We like people who are honest. Honest in argument, honest with clients, honest with suppliers, honest with the company - and above all, honest with consumers.
Sometimes when you start improvising on stage, which I do a fair bit of, obviously you haven't planned it. But to be honest, it's not like I'm one of these blokes who is sitting at home pouring it all out and then does a different thing on stage.
The stage of investing that I do is seed stage, so it's really early. Here's a pair of founders who maybe have a prototype. They have a little bit of traction, maybe one employee, tops. At that stage, you really, really can only evaluate a company based on those founders and what they've been able to build. It's very, very team driven.
There's nobody who knows the left better than I know 'em. I know the left like I know every square inch of my gloriously naked body, not just the back of my hand. I know them. I know them better than they know themselves because they refuse to be honest about who they are really are and what they really believe, but I am.
I am not a difficult man by any stretch, and I'm saying that with a full and honest inventory going on. I'm not. And I'm not angry on stage. There is a heightening. There is an intensification of the feelings on stage in order to let them carry the room. There is a theatricality about it. The whole thing is oratory, so there's persuasion involved. There's the art of rhetoric involved. And so, with hyperbole and with the desire to really punch the thing home, some of it reads a little more angry.
I don't know, except that the only simple answer, I think, is that SCLC [Southern Christian Leadership Conference] had never really developed an organizing technique. I've always characterized the difference in saying that they went in for mobilization. And, to be honest, in terms of the historical facts, their mobilization usually was predicated upon some effort at organizing by someone else. And, at this stage, it was largely SNCC.
I was in New York, miserable because I was working supper clubs but I wasn't expressing myself. I was really unhappy with my life. I saw Max Roach again and he told me I didn't have to do things like that. He made me an honest woman on the stage. I have been performing in that tradition since. I feel that I'm a serious performer now whereas then I wanted to be but I didn't know how.
I think the ultimate goal is that when we're off-stage, we know everything our character is thinking. Hopefully when we are on-stage, our thoughts are our character's thoughts because we really know that much about them.
When I am on stage, I am just an honest artiste who tries to let people know me, not only as a musician, but also as a person.
This site uses cookies to ensure you get the best experience. More info...
Got it!