A Quote by Peter Handke
The biggest achievement is to create silence. I think every real writer who has a passion to do justice to the world thinks this way.
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In my paranoid world every storekeeper thinks I’m stealing, every man thinks I’m a prostitute or a lesbian, every woman thinks I’m a lesbian or arrogant, and every child and animal sees the real me and it is evil.
The impulse to create begins - often terribly and fearfully - in a tunnel of silence. Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
In that way, any world you create will become real. The reader makes it so. The reader becomes implicated in the creation of the world, complicit with the writer. It's the best sort of bond with audience that a writer can hope for, but it demands a great deal of trust on both sides.
Silence is Golden; it has divine power and immense energy. Try to pay more attention to the silence than to the sounds. Paying attention to outer silence creates inner silence: the mind becomes still. Every sound is born out of silence, dies back into silence, and during its life span is surrounded by silence. Silence enables the sound to be. It is an intrinsic but unmanifested part of every sound, every musical note, every song, and every word. The unmanifested is present in this world as silence. All you have to do is pay attention to it.
If you notice, the characters in 'PKP 1' & '2' and 'SKTKS' are relatable. I think writer Rahul Modi and Luv sir create a real world.
Perhaps every writer who thoroughly creates a fictional world will inevitably create a mirror of his own time and yet also create a world that no one else but him has ever visited.
Another world is possible!' ... Another world is also necessary, for this one is unjust, unsustainable, and unsafe. It's up to us to envision, fight for, and create that world, a world of freedom, real justice, balance, and shared abundance, a world woven in a new design.
[M]an is condemned to be free. Condemned, because he did not create himself, in other respect is free; because, once thrown into the world, he is responsible for everything he does. The Existentialist does not believe in the power of passion. He will never agree that a sweeping passion is a ravaging torrent which fatally leads a man to certain acts and is therefore an excuse. He thinks that man is responsible for his passion.
A reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination.
Intuitively we all like to seek the things that are comfortable rather than uncomfortable. But I do think there is a way of saying that if I believe in justice and I believe that justice is a constant struggle, and if I want to create justice, then I have to get comfortable with struggle.
I think a book-length poem stands about as good a chance as a collection of individual poems in reaching its field of ears. This does not mean I have not found some of them too daunting to read all the way through, but it would seem there ought to be some ambition on the writer's part to create a work that would be "a read" all the way through. If not, all the pleasure belongs to the maker, and that in itself is something, an achievement.
You have to record as many details as possible and achieve an order, without taking away the complexity of the real. To voice the real and at the same time to create an image that is a world in itself, with its own coherence, its autonomy and sovereignty; an image that thinks
Passion is so contagious. When you're working on a project where people care, on every level, from the key grips to the main writer to the star of the show, you can't help but want to jump on board and create something.
The proletarian writer is a writer with a purpose; he thinks no more of art for art's sake than a man on a sinking ship thinks of painting a beautiful picture in the cabin; he thinks of getting ashore - and then there will be time enough for art.
Every man who speaks out loud and clear is tinting the "Zeitgeist." Every man who expresses what he honestly thinks is true is changing the Spirit of the Times. Thinkers help other people to think, for they formulate what others are thinking. No person writes or thinks alone--thought is in the air, but its expression is necessary to create a tangible Spirit of the Times.
This silent call you make, A silence so loud I fear the world knows it's meaning If you fill every corner of a room Where can I look? If I close my eyes the silence becomes louder! There is no escape from you The only way out is in
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