A Quote by Peter Handke
I wrote about the Serbs, because no one was writing about them, even if I also think about the Croat and Muslim victims.
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People in the West tend to identify with western victims. So even when they think about the Holocaust, they really think about the German or French victims; they're not thinking about the Polish, Hungarian, or Soviet victims.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
The capacity to forgive is not just about Rwandan women. It is about a willingness of women all over the world to work across conflict lines, to say, "Yes, I'm a Serb. Or yes, I'm a Muslim. Or yes, I'm a Croat. But I'm also a mother."
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
I took to writing as my medicine to help me stay afloat in acting career journey. I wrote about me breaking hearts, and my heart being broken. I wrote about my views whether they were liberal or conservative. I wrote about everything. I wrote about my life. When I did not have paper coming in as green backs, I'd use random pieces of paper for stories. It was like, I got no money, but I have paper to write. So I wrote.
I didn't quite know whether I was writing for the non-Muslim or the Muslim, and at the end of the day I'm writing, I hope, for people who are interested, whatever their faith. Even if they don't have any faith. As a barrister I had certain advantages - I could think like a lawyer and I knew how all the laws were fitted together and all the rest of it. One of the things I realized pretty early on while I was writing book about Shari'a was that that was as much a hinderance as it was a help because the Shari'a isn't just a system of rules.
I care about affordable housing. I care about bus routes. I care about small business. I care about schools. These are not Muslim issues. Even protection of civil rights - that's not just a Muslim issue. That is for everyone.
Everyone always asks, was he mad at you for writing the book? and I have to say, Yes, yes, he was. He still is. It is one of the most fascinating things to me about the whole episode: he cheated on me, and then got to behave as if he was the one who had been wronged because I wrote about it! I mean, it's not as if I wasn't a writer. It's not as if I hadn't often written about myself. I'd even written about him. What did he think was going to happen? That I would take a vow of silence for the first time in my life? "
Climate change is not about climate change. It's about the people in it getting rich off of an ever-expanding, growing, controlling government. It's all about expanding the government and government control over people. It's about creating victims. When you successfully turn somebody into a victim, you have automatically made them a dependent on you. You are essentially telling them they have lost the power necessary to solve their own problems. And you create within them a mentality that they can't overcome their own problem because they're victims.
The reason why the war ended in Bosnia was not because of amnesty but because a combined Croat-Bosnian offensive defeated the Serbs on the battlefield. Sometimes naïveté belongs not to the human rights activists but to the politicians.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
I don't mean to be flippant about cancer - it was hard, it was tough and it was scary. Then my next manuscript was about cancer because I had a whole new topic to write about. And because I wrote, it didn't take over. Writing took the chaos out of cancer.
Writing about something specific, in my mind, was overwhelming, so I wrote about art because I love art and I know I can say a couple of funny things about art.
Even in the face of massive competition, don't think about the competition. Literally don't think about them. Every time you're in a meeting and you're tempted to talk about a competitor, replace that thought with one about user feedback or surveys. Just think about the customer.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
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